LEGENDARY CIRCUS IMPRESARIO P T BARNUM RARE BOLD AUTOGRAPH & PHOTO

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LEGENDARY CIRCUS IMPRESARIO P T BARNUM RARE BOLD AUTOGRAPH & PHOTO:
$249.99

An amazing original boldly signed autograph and periodical photograph of the legendary circus impresario P. T. Barnum. Autograph dimensions four and three quarters by three and a quarter with photo two and a quarter by one and three quarters inches. Light wear otherwise good. See P. T. Barnum's extraordinary biography below..

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From Wikipedia:

Phineas Taylor"P. T."Barnum(July 5, 1810 – April 7, 1891) was an American politician, showman, and businessman remembered for promoting celebrated hoaxes and for founding theBarnum & Bailey Circus.[1]Although Barnum was also an author, publisher, philanthropist, and for some time a politician, he said of himself, "I am a showman by profession...and all the gilding shall make nothing else of me",[2]and his personal aim was "to put money in his own coffers".[3]Barnum is widely, but erroneously, credited with coining the phrase "There's a sucker born every minute".[4]

Born inBethel, Connecticut, Barnum became a small-business owner in his early twenties, and founded a weekly newspaper, before moving to New York City in 1834. He embarked on an entertainment career, first with avariety troupecalled "Barnum's Grand Scientific and Musical Theater", and soon after by purchasingScudder's American Museum, which he renamed after himself. Barnum used the museum as a platform to promote hoaxes and human curiosities such as theFeejee mermaidandGeneral Tom Thumb.[5]In 1850 he promoted theAmerican tourof singerJenny Lind, paying her an unprecedented $1,000 a night for 150 nights. After economic reversals due to bad investments in the 1850s, and years of litigation and public humiliation, he used a lecture tour, mostly as atemperancespeaker, to emerge from debt. His museum added America's first aquarium and expanded thewax-figuredepartment. While in New York, he converted to Universalism and was a member of theChurch of the Divine Paternity, now theFourth Universalist Society in the City of New York.

Barnum served two terms in theConnecticutlegislature in 1865 as aRepublicanforFairfield. With the ratification of theThirteenth Amendment to the United States Constitutionover slavery and African-American suffrage, Barnum spoke before the legislature and said, "A human soul, ‘that God has created and Christ died for,’ is not to be trifled with. It may tenant the body of a Chinaman, a Turk, an Arab or a Hottentot – it is still an immortal spirit".[6]Elected in 1875 asMayor of Bridgeport, Connecticut, he worked to improve the water supply, bringgas lightingto streets, and enforce liquor andprostitutionlaws. Barnum was instrumental in startingBridgeport Hospital, founded in 1878, and was its first president.[7]

The circus business was the source of much of his enduring fame. He established "P. T. Barnum's Grand Traveling Museum, Menagerie, Caravan & Hippodrome", a traveling circus, menagerie and museum of "freaks", which adopted many names over the years. Barnum died in his sleep at home in 1891, and was buried inMountain Grove Cemetery, Bridgeport, which he designed himself.[8]

Early life and career

Barnum was born inBethel, Connecticut, the son of inn keeper, tailor and store-keeper Philo Barnum (1778–1826) and second wife Irene Taylor. He was the third great grandson of Thomas Barnum (1625–1695), the English immigrant ancestor of the Barnum family in North America. His maternal grandfather Phineas Taylor was a Whig, legislator, landowner, justice of the peace, and lottery schemer, and he had a great influence on his favorite grandson. Barnum was adept at arithmetic but hated physical work. He started as a store-keeper, and he learned haggling and using deception to make a sale. He was involved with the first lottery mania in the United States. At the age of 19, he married Charity Hallett.

The young husband had several businesses: a general store, a book saleing trade, real estate speculation, and a statewide lottery network. He became active in local politics and advocated againstblue lawspromulgated byCalvinistswho sought to restrict gambling and travel. Barnum started a weekly paper in 1829,The Herald of Freedom, inDanbury, Connecticut. His editorials against church elders led to libel suits and a prosecution which resulted in imprisonment for two months, but he became a champion of the liberal movement upon his release. In 1834, when lotteries were banned in Connecticut, cutting off his main income, Barnum sold his store and moved to New York City. In 1835 he began as a showman with his purchase and exhibition of a blind and almost completely paralyzed slave woman,Joice Heth, claimed by Barnum to have beenGeorge Washington's nurse, and to be over 160 years old.[citation needed]Joice Heth died in 1836, no more than 80 years old.[9]

Funhouse showman

After a year of mixed success with his first variety troupe called "Barnum's Grand Scientific and Musical Theater," followed by thePanic of 1837and three years of difficult circumstances, he purchasedScudder's American Museum, at Broadway andAnn Street, New York City, in 1841. Barnum improved the attraction, renamed "Barnum's American Museum," upgrading the building and adding exhibits, and it became a popular showplace. Barnum added a lighthouse lamp which attracted attention up and down Broadway and Flags along the roof's edge that attracted attention in daytime. From between the upper windows, giant paintings of animals drew stares from pedestrians. The roof was transformed to a strolling garden with a view of the city, where he launched hot-air balloon rides daily. A changing series of live acts and curiosities, including albinos, giants, midgets, "fat boys,"[clarification needed]jugglers, magicians,exotic women, detailed models of cities and famous battles, and, eventually, a menagerie of animals were added to the exhibits of stuffed animals.

Feejee mermaid and Tom Thumb1866 newspaper advertisement for Barnum's American Museum located onAnn StreetinManhattan

In 1842, Barnum introduced his first major hoax, a creature with the head of a monkey and the tail of a fish, known as the"Feejee" mermaid. Barnum leased the "mermaid" from fellow museum ownerMoses Kimballof Boston. Kimball became his friend, confidant, and collaborator.[10][11]Barnum described his hoaxes and justified the act of perpetrating them by saying they were "advertisements to draw attention...to the Museum. I don't believe in duping the public, but I believe in first attracting and then pleasing them."[12]Later, he crusaded against fraudsters (see below). Barnum followed that with the exhibition of Charles Stratton, the dwarf "General Tom Thumb" ("the Smallest Person that ever Walked Alone") who was then four years of age but was stated to be 11. With heavy coaching and natural talent, the boy was taught to imitate people from Hercules to Napoleon. By five, he was drinking wine and by seven smoking cigars for the public's amusement.

In year 1843 Barnum hired the traditionalNative Americandancer fu-Hum-Me, the first of many Native Americans he presented. During 1844–45, Barnum toured with Tom Thumb in Europe and metQueen Victoria, who was amused[13]and saddened by the little man, and the event was a publicity coup. It opened the door to visits from royalty across Europe including theCzar of Russiaand let him acquire dozens of attractions, including automatons and other mechanical marvels. He was almost able to buy the birth home ofWilliam Shakespeare. Barnum spent about three years abroad with Thumb. Barnum went on a spending spree, buying other museums, including Peale's museum in Philadelphia, the nation's first major museum. By late 1846, Barnum's Museum was drawing 400,000 visitors a year.[5]

Jenny LindMain article:Jenny Lind tour of America, 1850–52Castle Garden, New York, venue of Lind's first American concerts

A risky decision of Barnum's established him as a legitimateimpresario. During his Tom Thumb tour of England, Barnum had become aware of the popularity ofJenny Lind, the "Swedish Nightingale". Lind's career was at its height in Europe. She was unpretentious, shy and devout, and possessed a crystal-clearsopranovoice projected with a wistful quality and earnestness that audiences found touching. Barnum had never heard her and conceded to being unmusical himself.[14]He approached her to sing in America at $1,000 a night for 150 nights, all expenses paid by him. He knew that his risk was great, noting: "'The public' is a very strange animal, and although a good knowledge of human nature will generally lead a caterer of amusement to hit the people right, they are fickle and ofttimes perverse."[15]But Barnum was confident that her reputation for morality and philanthropy could be turned to good use in his publicity.[14]

Lind demanded the fee in advance. Barnum agreed, and she accepted the offer, which would permit her to raise a huge fund for charities, principally endowing schools for poor children in Sweden.[16]To raise the fee, Barnum borrowed heavily on his mansion and his museum.[15]Still slightly short, he persuaded a Philadelphia minister, who thought that Lind would be a good influence on American morals, to lend him the final $5,000. The contract also gave Lind the option of withdrawing from the tour after sixty or one hundred contracts, paying Barnum $25,000 if she did so.[16]Lind and her small company sailed to America in September 1850. As a result of Barnum's months of preparations, Lind was a celebrity even before she arrived in the U.S., and close to 40,000 greeted her at the docks and another 20,000 at her hotel, the press was in attendance, and "Jenny Lind items" were available.[17]When she realized how much money Barnum stood to make from the tour, Lind insisted on a new agreement, which he signed on September 3, 1850. This gave her the original fee plus the remainder of each concert's profits after Barnum's $5,500 management fee was paid. She was determined to accumulate as much money as possible for her charities.[14]

The tourbegan with a concert atCastle Gardenon September 11, 1850 and was a major success, recouping Barnum four times his investment.Washington Irvingproclaimed, "She is enough to counterbalance, of herself, all the evil that the world is threatened with by the great convention of women. So God save Jenny Lind!"[17]Tickets for some of her concerts were in such demand that Barnum sold them by sale. The enthusiasm of the public was so strong that the American press coined the term "Lind mania".[18]The blatant commercialism of Barnum's ticket sales distressed Lind,[18]and for her second concert and thereafter, she persuaded him to make a substantial number of tickets available at reduced prices.[19]

On the tour, Barnum's publicity always preceded Lind's arrival and whipped up enthusiasm (he had up to 26 journalists on his payroll).[20]After New York, the company toured the east coast of America, with continued success, and later took in Cuba and the southern states of the U.S. By early 1851, Lind had become uncomfortable with Barnum's relentless marketing of the tour, and she invoked a contractual right to sever her ties with him. They parted amicably, and she continued the tour for nearly a year under her own management.[14]Lind gave 93 concerts in America for Barnum, earning her about $350,000; Barnum netted at least $500,000.[21]

Diversified leisure-time activities

Using profits from the Lind tour, Barnum's next challenge was to change public attitudes about the theater. Widely seen as 'dens of evil,' Barnum wanted to position them as palaces of edification and delight, and as respectable middle-class entertainment. He built the city's largest and most modern theater, naming it the "Moral Lecture Room." He hoped this would avoid seedy connotations and attract a family crowd and win the approval of the moral crusaders of New York City. He started the nation's first theatrical matinées, to encourage families and to lessen the fear of crime. He opened withThe Drunkard,a thinly disguised temperance lecture (he had become ateetotalerafter returning from Europe). He followed that withmelodramas,farces, and historical plays, put on by highly regarded actors. He watered down Shakespearean plays and others such asUncle Tom's Cabinto make them family entertainment.[citation needed]

He organized flower shows, beauty contests, dog shows, poultry contests, but the most popular were baby contests (fattest baby, handsomest twins, etc.). In 1853, he started a pictorial weekly newspaperIllustrated Newsand a year later completed his autobiography, which through many revisions, sold more than one million copies.Mark Twainloved it but theBritish Examinerthought it "trashy" and "offensive" and "inspired...nothing but sensations of disgust...and sincere pity for the wretched man who compiled it."[22]

In the early 1850s, Barnum began investing to develop East Bridgeport, Connecticut. He made substantial loans to the Jerome Clock Company, to get it to move to his new industrial area. But by 1856, the company went bankrupt, taking Barnum's wealth with it. This started four years of litigation and public humiliation.Ralph Waldo Emersonproclaimed that Barnum's downfall showed "the gods visible again" and other critics celebrated Barnum's moral comeuppance. But his friends supported him, and Tom Thumb, now touring on his own, offered his services and they undertook another European tour. Barnum also started a lecture tour, mostly as a temperance speaker. By 1860, he emerged from debt and built a mansion "Lindencroft" (his palace "Iranistan" had burnt down in 1857) and he resumed ownership of his museum.

Barnum withCommodore Nutt, photograph byCharles DeForest Fredricks

Despite critics who predicted he could not revive the magic, Barnum went on to greater success. He created America's firstaquariumand expanded the wax figure department. His "Seven Grand Salons" demonstrated the Seven Wonders of the World. He created a rogues gallery. The collections expanded to four buildings and he published a "Guide Book to the Museum" which claimed 850,000 'curiosities.'[23]

Late in 1860, theSiamese Twins,Chang and Eng, came out of retirement (they needed more money to send their numerous children to college). The Twins had had a touring career on their own and went to live on a North Carolina plantation with their families and slaves, under the name of "Bunker." They appeared at Barnum's Museum for six weeks. Also in 1860, Barnum introduced the "man-monkey" William Henry Johnson, amicrocephalicblack dwarf who spoke a mysterious language created by Barnum. In 1862, he discovered the giantessAnna SwanandCommodore Nutt, a new Tom Thumb, with whom Barnum visited PresidentAbraham Lincolnat the White House. During theCivil War, Barnum's museum drew large audiences seeking diversion from the conflict. He added pro-Unionist exhibits, lectures, and dramas, and he demonstrated commitment to the cause. For example, in 1864 Barnum hired Pauline Cushman, an actress who had served as a spy for the Union, to lecture about her "thrilling adventures" behind Confederate lines. Barnum's Unionist sympathies incited a Confederate arsonist to start a fire in 1864. On July 13, 1865, Barnum's American Museum burned to the ground from a fire of unknown origin. Barnum re-established the Museum at another location in New York City, but this too was destroyed by fire in March 1868. This time the loss was too great, and Barnum retired from the museum business.

Circus kingWinter Quarters of the Great Barnum-London Show before 1886

Barnum did not enter the circus business until he was 60 years old. InDelavan, Wisconsin in 1870 withWilliam Cameron Coup, he established "P. T. Barnum's Grand Traveling Museum, Menagerie, Caravan & Hippodrome," a traveling circus, menagerie and museum of "freaks." It went through various names: "P.T. Barnum's Travelling World's Fair, Great RomanHippodromeand Greatest Show On Earth," and after an 1881 merger withJames Baileyand James L. Hutchinson, "P.T. Barnum's Greatest Show On Earth, And The Great London Circus, Sanger's Royal British Menagerie and The Grand International Allied Shows United," soon shortened to "Barnum & Bailey's." This entertainment phenomenon was the first circus to display 3 rings,[24]which made it the largest circus the world had ever seen.[citation needed]The show's first primary attraction wasJumbo, anAfrican elephanthe purchased in 1882 from theLondon Zoo. The Barnum and Bailey still contained similar acts as to his Traveling Menagerie: acrobats, freak shows, and the world-famous General Tom Thumb. Despite more fires, train disasters, and other setbacks, Barnum plowed ahead, aided by circus professionals who ran the daily operations. He and Bailey split up again in 1885, but came back together in 1888 with the "Barnum & Bailey Greatest Show On Earth," later "Barnum & Bailey Circus," which toured the world.

Barnum became known as the Shakespeare of Advertising, due to his innovative and impressive ideas. He knew how to draw patrons in, by giving them a glimpse of something that had never been seen before. He was, at times, accused of being deceptive and promoting false advertising.

Barnum was one of the very first circus owners to move his circus by train (and probably the very first to buy his own train). His friend, W.C. Coup, helped him get railroad cars to make his tour traveling easier. Given the lack of paved highways in America, this turned out to be a shrewd business move that vastly enlarged Barnum's geographical reach. In this new field, Barnum leaned more on the advice of Coup, Bailey and other business partners, most of whom were young enough to be his sons.

Author and debunkerParody ofJenny Lind's first American tour for P.T. Barnum, New York City, October 1850

Barnum wrote several books, includingLife of P.T. Barnum(1854),The Humbugs of the World(1865),Struggles and Triumphs(1869), andThe Art of Money-Getting(1880).[25]

One of Barnum's more successful methods of self-promotion was mass publication of his autobiography. Barnum eventually gave up his copyright to allow other printers to sell inexpensive editions. At the end of the 19th century the number of copies printed was second only to theNew Testamentin North America.[citation needed]

"Hum-Bug": a cartoon byH. L. Stephens(1851)

Often referred to as the "Prince of Humbugs," Barnum saw nothing wrong in entertainers or vendors usinghype(or "humbug," as he termed it) in promotional material, as long as the public was getting value for money. However, he was contemptuous of those who made money throughfraudulent deceptions, especially thespiritualistmediumspopular in his day, testifying against noted spirit photographerWilliam H. Mumlerin his trial for fraud. PrefiguringillusionistsHarry HoudiniandJames Randi, Barnum exposed "the tricks of the trade" used by mediums to cheat the bereaved. InThe Humbugs of the World, he offered $500 to any medium who could prove power to communicate with the dead.

Politician and reformer

Barnum was significantly involved in politics, focusing on race, slavery, and sectionalism in the period leading up to theAmerican Civil War. He had some of his first success as an impresario through his slave Joice Heth. Around 1850, he was involved in a hoax about a weed that would turn black people white.

Barnum was a producer and promoter ofblackfaceminstrelsy. Barnum's minstrel shows often used double-edged humor. While replete with black stereotypes, Barnum's shows satirized as in a stump speech in which a blackphrenologist(like all minstrel performers, a white man in blackface) made a dialect speech parodying lectures given at the time to "prove" the superiority of the white race: "You see den, dat clebber man and dam rascal means de same in Dutch, when dey boph white; but when one white and de udder's black, dat's a grey hoss ob anoder color."[26]

Promotion of minstrel shows led to his sponsorship in 1853 of H.J. Conway's politically watered-down stage version ofHarriet Beecher Stowe'sUncle Tom's Cabin; the play, at Barnum's American Museum, gave the story a happy ending, with Tom and other slaves freed. The success led to a play based on Stowe'sDred: A Tale of the Great Dismal Swamp. His opposition to theKansas-Nebraska Act, which supported slavery, of 1854 led him to leave theDemocratic Partyto become a member of the new anti slaveryRepublican Party. He had evolved from a man of common stereotypes of the 1840s to a leader for emancipation by the Civil War.

1879 Connecticut anti-contraception law

While he claimed "politics were always distasteful to me," Barnum was elected to theConnecticutlegislature in 1865 as Republican representative forFairfieldand served four terms.[6][27]In the debate over slavery and African-American suffrage with the ratification of theThirteenth Amendment to the United States Constitution, Barnum spoke before the legislature and said, "A human soul, ‘that God has created and Christ died for,’ is not to be trifled with. It may tenant the body of a Chinaman, a Turk, an Arab or a Hottentot – it is still an immortal spirit."[6]Barnum was notably the legislative sponsor of a law enacted by the Connecticut General Assembly in 1879 that prohibited the use of “any drug, medicinal article or instrument for the purpose of preventing conception" that remained in effect in Connecticut until being overturned in 1965 by the U.S. Supreme CourtGriswold v. Connecticutdecision.[28]

Barnum ran for theUnited States Congressin 1867 and lost to his third cousinWilliam Henry Barnum. In 1875, Barnum as mayor of Bridgeport, Connecticut, worked to improve the water supply, bring gas lighting to streets, and enforce liquor and prostitution laws. Barnum was instrumental in startingBridgeport Hospital, founded in 1878, and was its first president.[7]

Profitable philanthropy

Barnum enjoyed what he publicly dubbed "profitable philanthropy." In Barnum's own words: "I have no desire to be considered much of a philanthropist...if by improving and beautifying our city Bridgeport, Connecticut, and adding to the pleasure and prosperity of my neighbors, I can do so at a profit, the incentive to 'good works' will be twice as strong as if it were otherwise."[29]In line with this philosophy was Barnum's pursuit of major American museums and spectacles. Less known are Barnum's significant contributions toTufts University. Barnum was appointed to the Board of Trustees prior to the University's founding and made several significant contributions to the fledgling institution. The most noteworthy example of this was his gift in 1883 of $50,000 ($2,000,000 in 2013), to establish amuseumand hall for the Department of Natural History, which today houses the department of biology.[30]Because of the relationship between Barnum and Tufts, Jumbo the elephant became the school's mascot, and Tufts students are known as "Jumbos."[31]

Death

Barnum suffered a stroke in 1890 during a performance and died on April 7, 1891.[32]He was buried inMountain Grove Cemetery, Bridgeport,Connecticut, a cemetery he designed.[8]

LegacyObverse of theBridgeport Half Dollar

Barnum built four mansions inBridgeport, Connecticut:Iranistan, Lindencroft, Waldemere, and Marina. Iranistan was the most notable: a fanciful and opulentMoorish Revivalsplendor designed byLeopold Eidlitzwith domes, spires and lacy fretwork, inspired by theRoyal PavilioninBrighton, England. This mansion was built 1848 but burned down in 1857.[33]The Marina Mansion was demolished by the University of Bridgeport in order to build their cafeteria.

At his death, most critics had forgiven him and he was praised for good works. Barnum was hailed as an icon of American spirit and ingenuity, and was perhaps the most famous American in the world. Just before his death, he gave permission to theEvening Sunto print his obituary, so that he might read it. On April 7 he asked about the box office receipts for the day; a few hours later, he was dead.[32]

P. T. Barnum, sculpted byThomas Ball(1887), Seaside Park, Bridgeport, Connecticut

In 1893, a statue in his honor was placed atSeaside Park, by the water in Bridgeport.[34]Barnum had donated the land for this park in 1865.

His circus was sold toRingling Brotherson July 8, 1907 for $400,000 (about $10.45 million in 2017 dollars).[7]The Ringling Brothers and Barnum & Bailey circuses ran separately until they merged in 1919 forming theRingling Bros. and Barnum & Bailey Circus.

TheTufts UniversityBiology Building is named in honor of Barnum. Jumbo eventually became the mascot ofTufts University, in honor of Barnum's 1889donationof the elephant's stuffed hide.

In 1936, for the centennial of the city of Bridgeport, Connecticut, his portrait was used for the obverse of the commemorativeBridgeport Half Dollar.[35]

Walt Kelly, who grew up in Bridgeport, named thePogocharacter P.T. Bridgeport after Barnum, and endowed the circus operator bear with a Barnum-like outsized personality andword balloonswith lettering that resembled 19th century circus posters giving graphic depiction of the sort of colorful language Barnum was prone to use.