1870 BOYS\' LIFE JOHN JAMES AUDUBON Naturalist HORACE ST JOHN Allen Brothers BIRD
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1870 BOYS\' LIFE JOHN JAMES AUDUBON Naturalist HORACE ST JOHN Allen Brothers BIRD:
$34.99
BOYS\' LIFE OF AUDUBON
By Mrs. Horace St. John
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New York: Allen Brothers, 1870.
12mo / Hardcover / 311 pp / Owner\'s bookplate; inscription 1875, New Orleans (Fred S. Chickering) / Illustration / Worn boards; chipped spine edges / Spinal edgewear / Foxing /
Uncommon early Audubon title from Mrs. Horace St. John.
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John James Audubon(bornJean Rabin; April 26, 1785– January 27, 1851) was an Americanornithologist,naturalist, andpainter. He was notable for his extensive studies documenting all types of American birds and for his detailed illustrations that depicted the birds in their natural habitats. His major work, a color-plate book entitledThe Birds of America(1827–1839), is considered one of the finest ornithological works ever completed. Audubon identified 25 new species.
Early life[edit]Audubon was born inLes Cayesin the French colony ofSaint-Domingue(nowHaiti)[1]on his father\'ssugarcaneplantation. He was the son of Lieutenant Jean Audubon, a French naval officer (andprivateer) from the south ofBrittany,[2]and his mistress Jeanne Rabine,[3]a 27-year-old chambermaid fromLes Touches, Brittany (now in the modern regionPays de la Loire).[2][4]They named the boy Jean Rabin.[4]His mother died when the boy was a few months old, as she had suffered from tropical disease since arriving on the island. His father already had an unknown number ofmixed-racechildren (among them a daughter named Marie-Madeleine),[5]some by hismulattohousekeeper, Catherine \"Sanitte\" Bouffard[5](described as aquadroon, meaning she was three-quarters European in ancestry).[6]Following Jeanne Rabin\'s death, Jean Audubon renewed his relationship with Sanitte Bouffard and had a daughter by her, named Muguet. Bouffard also took care of the infant boy Jean.[7]
The senior Audubon had commanded ships. During theAmerican Revolution, he had been imprisoned by Britain. After his release, he helped the American cause.[8]He had long worked to save money and secure his family\'s future with real estate. Due to slave unrest in the Caribbean, in 1789 he sold part of his plantation in Saint-Domingue and purchased a 284-acre farm calledMill Grove, 20 miles fromPhiladelphia, to diversify his investments. Increasing tension in Saint-Domingue between the colonists and the African slaves, who greatly outnumbered them, convinced Jean Audubon to return to France, where he became a member of theRepublican Guard. In 1791 he arranged for his natural children Jean and Muguet, who was majority-white in ancestry, to be transported and delivered to him in France.[9][10][11]
The children were raised inCouëron, nearNantes,France, by Audubon and his French wife Anne Moynet Audubon, whom he had married years before his time in Saint-Domingue. In 1794 they formally adopted both his natural children to regularize their legal status in France.[10]They renamed the boy Jean-Jacques Fougère Audubon and the girl Rose.[12]When Audubon, at age 18, boarded ship in 1803 to immigrate to the United States, he changed his name to an anglicized form: John James Audubon.[13]
From his earliest days, Audubon had an affinity for birds. \"I felt an intimacy with them...bordering on frenzy [that] must accompany my steps through life.\"[14]His father encouraged his interest in nature:
He would point out the elegant movement of the birds, and the beauty and softness of their plumage. He called my attention to their show of pleasure or sense of danger, their perfect forms and splendid attire. He would speak of their departure and return with the seasons.[15]
In France during the chaotic years of theFrench Revolutionand its aftermath, the younger Audubon grew up to be a handsome and gregarious man. He played flute and violin, and learned to ride,fence, and dance.[16]A great walker, he loved roaming in the woods, often returning with natural curiosities, including birds\' eggs and nests, of which he made crude drawings.[17]His father planned to make a seaman of his son. At twelve, Audubon went to military school and became a cabin boy. He quickly found out that he was susceptible to seasickness and not fond of mathematics or navigation. After failing the officer\'s qualification test, Audubon ended his incipient naval career. He was cheerfully back on solid ground and exploring the fields again, focusing on birds.[18]
Emigration to the United States[edit]Plate 41 ofBirds of Americaby John James Audubon, depictingruffed grouseIn 1803, his father obtained a false passport so that Audubon could go to the United States to avoid conscription in theNapoleonic Wars. Jean Audubon and Claude Rozier arranged a business partnership for their sons to pursue in Pennsylvania. It was based on Claude Rozier\'s buying half of Jean Audubon\'s share of a plantation in Haiti, and lending money to the partnership as secured by half interest in lead mining at Audubon\'s property of Mill Grove.[19][20]
Audubon caughtyellow feverupon arrival in New York City. The ship\'s captain placed him in a boarding house run byQuakerwomen. They nursed Audubon to recovery and taught him English, including the Quaker form of using \"thee\" and \"thou\", otherwise then archaic. He traveled with the family\'s Quaker lawyer to the Audubon family farmMill Grove.[21]The 284-acre (115ha) homestead is located on thePerkiomen Creeka few miles fromValley Forge.
Audubon lived with the tenants in the two-story stone house, in an area that he considered a paradise. \"Hunting, fishing, drawing, and music occupied my every moment; cares I knew not, and cared naught about them.\"[16]Studying his surroundings, Audubon quickly learned the ornithologist\'s rule, which he wrote down as, \"The nature of the place—whether high or low, moist or dry, whether sloping north or south, or bearing tall trees or low shrubs—generally gives hint as to its inhabitants.\"[22]
Plate 1 ofBirds of Americaby John James Audubon depicting a wild turkey.His father hoped that the lead mines on the property could be commercially developed, as lead was an essential component of bullets. This could provide his son with a profitable occupation.[23]At Mill Grove, Audubon met the owner of the nearby estate \"Fatland Ford\", William Bakewell, and his daughter Lucy. He was married to Lucy five years later. The two young people shared many common interests, and early on began to spend time together, exploring the natural world around them.
Audubon set about to study American birds, determined to illustrate his findings in a more realistic manner than most artists did then.[24]He began conducting the first knownbird-bandingon the continent: he tied yarn to the legs ofEastern phoebesand determined that they returned to the same nesting spots year after year.[25]He also began drawing and painting birds, and recording their behavior. After an accidental fall into a creek, Audubon contracted a severe fever. He was nursed and recovered at Fatland Ford, with Lucy at his side.
Risking conscription in France, Audubon returned in 1805 to see his father and ask permission to marry. He also needed to discuss family business plans. While there, he met the naturalist and physician Charles-Marie D\'Orbigny, who improved Audubon\'staxidermyskills and taught him scientific methods of research.[26]Although his return ship was overtaken by an Englishprivateer, Audubon and his hidden gold coins survived the encounter.[27]
Audubon resumed his bird studies and created his own nature museum, perhaps inspired by the great museum of natural history created byCharles Willson Pealein Philadelphia. Peale\'s bird exhibits were considered scientifically advanced. Audubon\'s room was brimming with birds\' eggs, stuffed raccoons and opossums, fish, snakes, and other creatures. He had become proficient at specimen preparation and taxidermy.
Deeming the mining venture too risky, with his father\'s approval Audubon sold part of the Mill Grove farm, including the house and mine. He retained some land for investment.[28]He went to New York to learn the import-export trade, hoping to find a business to support his marriage to Lucy. The protective Mr. Bakewell wanted to see the young Frenchman established in a solid career before releasing his daughter to him.
Marriage and family[edit]Lucy Bakewell AudubonCarolina pigeon (now calledmourning dove)In 1808, Audubon moved to Kentucky, which was rapidly being settled. Six months later, he married Lucy Bakewell. Though their finances were tenuous, the Audubons started a family. They had two sons: Victor Gifford (1809–1860) andJohn Woodhouse Audubon(1812–1862); and two daughters who died while young: Lucy at two years (1815–1817) and Rose at nine months (1819–1820).[29]Both sons would eventually help publish their father\'s works. John W. Audubon became a naturalist, writer, and painter in his own right, receiving his own obituary in an 1862 yearbook.[30]
Starting out in business[edit]Audubon and Ferdinand Rozier moved their merchant business partnership west at various stages, ending ultimately inSte. Genevieve, Missouri, a former French colonial settlement west of theMississippi Riverand south ofSt. Louis. Shipping goods ahead, Audubon and Rozier started ageneral storeinLouisville, Kentuckyon theOhio River;[when?]the city had an increasingly important slave market and was the most important port betweenPittsburghandNew Orleans. Soon he was drawing bird specimens again. He regularly burned his earlier efforts to force continuous improvement.[31]He also took detailed field notes to document his drawings.
Due to rising tensions with the British, PresidentJeffersonordered an embargo on British trade in 1808, adversely affecting Audubon\'s trading business.[32]In 1810, Audubon moved his business further west to the less competitiveHenderson, Kentuckyarea. He and his small family took over an abandoned log cabin. In the fields and forests, Audubon wore typical frontier clothes and moccasins, having \"a ball pouch, a buffalo horn filled with gunpowder, a butcher knife, and a tomahawk on his belt.\"[32]
He frequently turned to hunting and fishing to feed his family, as business was slow. On a prospecting trip down the Ohio River with a load of goods, Audubon joined up withShawneeandOsagehunting parties, learning their methods, drawing specimens by the bonfire, and finally parting \"like brethren.\"[33]Audubon had great respect forNative Americans: \"Whenever I meet Indians, I feel the greatness of our Creator in all its splendor, for there I see the man naked from His hand and yet free from acquired sorrow.\"[34]Audubon also admired the skill of Kentucky riflemen and the \"regulators\", citizen lawmen who created a kind of justice on the Kentucky frontier. In his travel notes, he claims to have encounteredDaniel Boone.[35]
Audubon and Rozier mutually agreed to end their partnership at Ste. Genevieve on April 6, 1811. Audubon had decided to work at ornithology and art, and wanted to return to Lucy and their son in Kentucky. Rozier agreed to pay Audubon $3,000 (equivalent to ~$120,000 in 2010 dollars), with $1,000 in cash and the balance to be paid over time.[36][37][38]
The terms of the dissolution of the partnership include those by Audubon:
I John Audubon, having this day mutual consent with Ferdinand Rozier, dissolved and forever closed the partnership and firm of Audubon and Rozier, and having Received from said Ferdinand Rozier payment and notes to the full amount of my part of the goods and debts of the late firm of Audubon and Rozier, I the said John Audubon one of the firm aforesaid do hereby release and forever quit claim to all and any interest which I have or may have in the stock on hand and debts due to the late firm of Audubon and Rozier assign, transfer and set over to said Ferdinand Rozier, all my rights, titles, claims and interest in the goods, merchandise and debts due to the late firm of Audubon and Rozier, and do hereby authorize and empower him for my part, to collect the same in any manner what ever either privately or by suit or suits in law or equity hereby declaring him sole and absolute proprietor and rightful owner of all goods, merchandise and debts of this firm aforesaid, as completely as they were the goods and property of the late firm Audubon and Rozier.
In witness thereof I have set my hand and seal this Sixth day of April 1811
John Audubon
Ed D. DeVillamonteJohn James Audubon house, Henderson, Kentucky.Audubon was working in Missouri and out riding when the1811 New Madrid earthquakestruck. When Audubon reached his house, he was relieved to find no major damage, but the area was shaken byaftershocksfor months.[39]The quake is estimated by scholars to have ranked from 8.4 to 8.8 on today\'sRichter Scaleof severity, stronger than theSan Francisco earthquake of 1906which is estimated at 7.8. Audubon writes that while on horseback, he first believed the distant rumbling to be the sound of atornado,
but the animal knew better than I what was forthcoming, and instead of going faster, so nearly stopped that I remarked he placed one foot after another on the ground with as much precaution as if walking on a smooth piece of ice. I thought he had suddenly foundered, and, speaking to him, was on point of dismounting and leading him, when he all of a sudden fell a-groaning pieteously, hung his head, spread out his forelegs, as if to save himself from falling, and stood stock still, continuing to groan. I thought my horse was about to die, and would have sprung from his back had a minute more elapsed; but as that instant all the shrubs and trees began to move from their very roots, the ground rose and fell in successive furrows, like the ruffled water of a lake, and I became bewildered in my ideas, as I too plainly discovered, that all this awful commotion was the result of an earthquake. I had never witnessed anything of the kind before, although like every person, I knew earthquakes by description. But what is description compared to reality! Who can tell the sensations which I experienced when I found myself rocking, as it were, upon my horse, and with him moving to and fro like a child in a cradle, with the most imminent danger around me.[40]
He noted that as the earthquake retreated, \"the air was filled with an extremely disagreeable sulphurous odor.\"[41]
Citizenship and debt[edit]Cinnamon bear by John James Audubon.During a visit to Philadelphia in 1812 following Congress\' declaration of war against Great Britain, Audubon became an American citizen and had to give up his French citizenship.[42]After his return to Kentucky, he found that rats had eaten his entire collection of more than 200 drawings. After weeks ofdepression, he took to the field again, determined to re-do his drawings to an even higher standard.[43]
TheWar of 1812upset Audubon\'s plans to move his business toNew Orleans. He formed a partnership with Lucy\'s brother and built up their trade in Henderson. Between 1812 and thePanic of 1819, times were good. Audubon bought land andslaves, founded a flour mill, and enjoyed his growing family. After 1819, Audubon went bankrupt and was thrown into jail for debt. The little money he earned was from drawing portraits, particularly death-bed sketches, greatly esteemed by country folk before photography.[44]He wrote, \"[M]y heart was sorely heavy, for scarcely had I enough to keep my dear ones alive; and yet through these dark days I was being led to the development of the talents I loved.\"[45]
Early ornithological career[edit]Audubon,golden eagle, 1833–4After a short stay in Cincinnati to work as a naturalist and taxidermist at a museum, Audubon traveled south on the Mississippi with his gun, paintbox, and assistantJoseph Mason, who stayed with him from October 1820 to August 1822 and painted the plant life backgrounds of many of Audubon\'s bird studies. He was committed to find and paint all the birds of North America for eventual publication. His goal was to surpass the earlier ornithological work of poet-naturalistAlexander Wilson.[46]Though he could not afford to buy Wilson\'s work, Audubon used it to guide him when he had access to a copy.
In 1818Rafinesquevisited Kentucky and the Ohio River valley to study fishes and was a guest of Audubon. In the middle of the night, Rafinesque noticed a bat in his room and thought it was a new species. He happened to grab Audubon\'s favourite violin in an effort to knock the bat down, resulting in the destruction of the violin. Audubon reportedly took revenge by showing drawings and describing some fictitious fishes and rodents to Rafinesque; Rafinesque gave scientific names to some of these fishes in hisIchthyologia Ohiensis.[47][48]
On October 12, 1820, Audubon traveled intoMississippi,Alabama, andFloridain search of ornithological specimens. He traveled withGeorge Lehman, a professional Swiss landscape artist. The following summer, he moved upriver to the Oakley Plantation inFeliciana Parish, Louisiana, where he taught drawing to Eliza Pirrie, the young daughter of the owners. Though low-paying, the job was ideal, as it afforded him much time to roam and paint in the woods. (The plantation has been preserved as theAudubon State Historic Site, and is located at 11788 Highway 965, betweenJacksonandSt. Francisville.)
Audubon called his future workBirds of America. He attempted to paint one page each day. Painting with newly discovered technique, he decided his earlier works were inferior and re-did them.[49]He hired hunters to gather specimens for him. Audubon realized the ambitious project would take him away from his family for months at a time.
Audubon sometimes used his drawing talent to trade for goods or sell small works to raise cash. He made charcoal portraits on demand at $5 each and gave drawing lessons.[50]In 1823 Audubon took lessons in oil painting technique from John Steen, a teacher of American landscape, and history painterThomas Cole. Though he did not use oils much for his bird work, Audubon earned good money painting oil portraits for patrons along the Mississippi. (Audubon\'s account reveals that he learned oil painting in December 1822 from Jacob Stein, an itinerant portrait artist. After they had enjoyed all the portrait patronage to be expected inNatchez, Mississippi, during January–March 1823, they resolved to travel together as perambulating portrait-artists.)[51][52]During this period (1822–1823), Audubon also worked as an instructor atJefferson CollegeinWashington, Mississippi.
Lucy became the steady breadwinner for the couple and their two young sons. Trained as a teacher, she conducted classes for children in their home. Later she was hired as a local teacher in Louisiana. She boarded with their children at the home of a wealthy plantation owner, as was often the custom of the time.[51][53]
In 1824, Audubon returned to Philadelphia to seek a publisher for his bird drawings. Though he metThomas Sully, one of the most famous portrait painters of the time and a valuable ally, Audubon was rebuffed for publication. He had earned the enmity of some of the city\'s leading scientists at theAcademy of Natural Sciences of Philadelphia. He took oil painting lessons from Sully and metCharles Bonaparte, who admired his work and recommended he go to Europe to have his bird drawings engraved.[54]
Birds of America[edit]Main article:Birds of America (book)Plate fromBirds of America, featuring theivory-billed woodpeckerWith his wife\'s support, in 1826 at age 41, Audubon took his growing collection of work to England. He sailed from New Orleans toLiverpoolon the cotton hauling shipDelos, reaching England in the autumn of 1826 with his portfolio of over 300 drawings.[55]With letters of introduction to prominent Englishmen, Audubon gained their quick attention. \"I have been received here in a manner not to be expected during my highest enthusiastic hopes.\"[56]
American flamingo, John J. Audubon, Brooklyn MuseumAmerican crow- John J. Audubon, Brooklyn MuseumThe British could not get enough of his images of backwoods America and its natural attractions. He met with great acceptance as he toured around England and Scotland, and was lionized as \"the American woodsman.\" He raised enough money to begin publishing hisBirds of America. This monumental work consists of 435 hand-colored, life-size prints of 497 bird species, made from engraved copper plates of various sizes depending on the size of the image. They were printed on sheets measuring about 39 by 26 inches (660mm).[57]The work contains slightly more than 700 North American bird species.
The pages were organized for artistic effect and contrasting interest, as if the reader were taking a visual tour. (Some critics thought he should have organized the plates in Linnaean order as befitting a \"serious\" ornithological treatise.)[58]The first and perhaps most famous plate was the wild turkey.
The cost of printing the entire work was $115,640 (over $2,000,000 today), paid for from advance subscriptions, exhibitions, oil painting commissions, and animal skins, which Audubon hunted and sold.[57]Audubon\'s great work was a remarkable accomplishment. It took more than 14 years of field observations and drawings, plus his single-handed management and promotion of the project to make it a success. A reviewer wrote,
All anxieties and fears which overshadowed his work in its beginning had passed away. The prophecies of kind but overprudent friends, who did not understand his self-sustaining energy, had proved untrue; the malicious hope of his enemies, for even the gentle lover of nature has enemies, had been disappointed; he had secured a commanding place in the respect and gratitude of men.[59]
Colorists applied each color in assembly-line fashion (over fifty were hired for the work).[60]The original edition was engraved inaquatintby RobertHavell, Jr., who took over the task after the first ten plates engraved byW. H. Lizarswere deemed inadequate. Known as the Double Elephant folio after itsdouble elephantpaper size, it is often regarded as the greatest picture book ever produced and the finest aquatint work. By the 1830s, the aquatint process was largely superseded bylithography.[61]A contemporary French critic wrote, \"A magic power transported us into the forests which for so many years this man of genius has trod. Learned and ignorant alike were astonished at the spectacle...It is a real and palpable vision of the New World.\"[62]
Green heron- John J. Audubon, Brooklyn MuseumAudubon sold oil-painted copies of the drawings to make extra money and publicize the book. A potential publisher had his portrait painted by John Syme, who clothed the naturalist in frontier clothes. The portrait was hung at the entrance of his exhibitions, promoting his rustic image. (The painting is now held in theWhite Houseart collection, and is not frequently displayed.).[63]TheNew-York Historical Societyholds all 435 of the preparatory watercolors forBirds of America. Lucy Audubon sold them to the society after her husband\'s death. All but 80 of the original copper plates were melted down when Lucy Audubon, desperate for money, sold them for scrap to thePhelps Dodge Corporation.[64]
KingGeorge IVwas among the avid fans of Audubon and subscribed to support publication of the book.London\'sRoyal Societyrecognized Audubon\'s achievement by electing him as a fellow. He was the second American to be elected after statesmanBenjamin Franklin. While inEdinburghto seek subscribers for the book, Audubon gave a demonstration of his method of supporting birds with wire at professorRobert Jameson\'sWernerian Natural History Association. StudentCharles Darwinwas in the audience. Audubon also visited the dissecting theatre of the anatomistRobert Knox. Audubon was a hit in France as well, gaining the King and several of the nobility as subscribers.[65]
Birds of Americabecame very popular during Europe\'s Romantic era.[66]Audubon\'s dramatic portraits of birds appealed to people in this period\'s fascination with natural history.[66][67][68]
Later career[edit]Audubon Center at Bent of the River, in Southbury, CT.Audubon, whitegyrfalconsAudubon returned to America in 1829 to complete more drawings for his magnum opus. He also hunted animals and shipped the valued skins to British friends. He was reunited with his family. After settling business affairs, Lucy accompanied him back to England. Audubon found that during his absence, he had lost some subscribers due to the uneven quality of coloring of the plates. Others were in arrears in their payments. His engraver fixed the plates and Audubon reassured subscribers, but a few begged off. He responded, \" \'The Birds of America\' will then raise in value as much as they are now depreciated by certain fools and envious persons.\"[69]He was elected a Fellow of theAmerican Academy of Arts and Sciencesin 1830.[70]
He followedBirds of Americawith a sequelOrnithological Biographies. This was a collection of life histories of each species written withScottishornithologistWilliam MacGillivray. The two books were printed separately to avoid a British law requiring copies of all publications with text to be deposited in Crown libraries, a huge financial burden for the self-published Audubon.[71]Both books were published between 1827 and 1839.
During the 1830s, Audubon continued making expeditions in North America. During a trip toKey West, a companion wrote in a newspaper article, \"Mr. Audubon is the most enthusiastic and indefatigable man I ever knew...Mr. Audubon was neither dispirited by heat, fatigue, or bad luck...he rose every morning at 3o\'clock and went out...until 1o\'clock.\" Then he would draw the rest of the day before returning to the field in the evening, a routine he kept up for weeks and months.[72]In the posthumously published book,The Life of John James Audubon, edited by his wife and derived primarily from his notes, Audubon related visiting the northEastern Florida coastal sugar plantation of John Joachim Bulow for Christmas 1831/early January 1832. It was started by his father and at 4,675 acres, was the largest in East Florida.[73]Bulow had a sugar mill built there under direction of a Scottish engineer, who accompanied Audubon on an excursion in the region. The mill was destroyed in 1836 in theSeminole Wars. The plantation site is preserved today as theBulow Plantation Ruins Historic State Park.[73]
In 1833, Audubon sailed north from Maine, accompanied by his son John, and five other young colleagues, to explore theornithologyofLabrador. On the return voyage, their shipRipleymade a stop at St. George\'s,Newfoundland. There Audubon and his assistants documented 36 species of birds.[74]
Audubon painted some of his works while staying at the Key West house and gardens of Capt. John H. Geiger. This site was preserved as theAudubon House and Tropical Gardens.[75]
Lucy Audubon c. 1870In 1841, having finished theOrnithological Biography, Audubon returned to the United States with his family. He bought an estate on theHudson Riverin northern Manhattan. (The roughly 20-acre estate came to be known asAudubon Parkin the 1860s when Audubon\'s widow began selling off parcels of the estate for the development of free-standing single family homes.).[76]In 1842, he published anoctavoedition ofBirds of America, with 65 additional plates. Printed in standard format to be more affordable than the oversize British edition, it earned $36,000 and was purchased by 1100 subscribers.[77]Audubon spent much time on \"subscription gathering trips\", drumming up sales of the octavo edition, as he hoped to leave his family a sizable income.[78]
Death[edit]Audubon made some excursions out West where he hoped to record Western species he had missed, but his health began to fail. In 1848, he manifested signs of senility or possiblydementiafrom what is now calledAlzheimer\'s disease, his \"noble mind in ruins.\"[79]He died at his family home in northern Manhattan on January 27, 1851. Audubon is buried in the graveyard at theChurch of the Intercessionin theTrinity Church Cemeteryand Mausoleum at 155th Street and Broadway inManhattan, near his home. An imposing monument in his honor was erected at the cemetery, which is now recognized as part of theHeritage Rose District of NYC.[80]
Audubon\'s final work was onmammals; he prepared theViviparous Quadrupeds of North America(Vol. 1 1846) in collaboration with his good friendRev John BachmanofCharleston, South Carolina, who supplied much of the scientific text. His son, John Woodhouse Audubon, drew most of the plates. The work was completed by Audubon\'s sons and son-in-law, and the second volume was published posthumously in 1851.
Art and methods[edit]Audubon, John James ~ bobwhite (Virginia partridge), painted 1825. Published as Plate 76, 1829Audubon developed his own methods for drawing birds. First, he killed them using fine shot. He then used wires to prop them into a natural position, unlike the common method of many ornithologists, who prepared and stuffed the specimens into a rigid pose. When working on a major specimen like an eagle, he would spend up to four 15-hour days, preparing, studying, and drawing it.[81]His paintings of birds are set true-to-life in their natural habitat. He often portrayed them as if caught in motion, especially feeding or hunting. This was in stark contrast to the stiff representations of birds by his contemporaries, such asAlexander Wilson. Audubon based his paintings on his extensive field observations.
Detail from the adjacent imageHe worked primarily with watercolor early on. He added colored chalk or pastel to add softness to feathers, especially those of owls and herons.[82]He employed multiple layers of watercoloring, and sometimes usedgouache. All species were drawn life size which accounts for the contorted poses of the larger birds as Audubon strove to fit them within the page size. Smaller species were usually placed on branches with berries, fruit, and flowers. He used several birds in a drawing to present all views of anatomy and wings. Larger birds were often placed in their ground habitat or perching on stumps. At times, as with woodpeckers, he combined several species on one page to offer contrasting features. He frequently depicted the birds\' nests and eggs, and occasionally natural predators, such as snakes. He usually illustrated male and female variations, and sometimes juveniles. In later drawings, Audubon used assistants to render the habitat for him. In addition to faithful renderings of anatomy, Audubon also employed carefully constructed composition, drama, and slightly exaggerated poses to achieve artistic as well as scientific style=\"WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; COLOR: rgb(0,0,0); FONT: medium \'Times New Roman\'; LETTER-SPACING: normal; TEXT-INDENT: 0px; -webkit-text-stroke-width: 0px; font-stretch: normal\">
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1870 BOYS\' LIFE JOHN JAMES AUDUBON Naturalist HORACE ST JOHN Allen Brothers BIRD:
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