1920 LILIEN Bezalel JEWISH Bookplate EXLIBRIS Judaica JUGENDSTIL - ART NOUVEAU

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1920 LILIEN Bezalel JEWISH Bookplate EXLIBRIS Judaica JUGENDSTIL - ART NOUVEAU:
$49.00

DESCRIPTION : Though thisJEWISH BOOK-PLATE was not specificaly designed by E.M.LILIEN as such , But was adapted in the 1920\'s or 1930\'s to be used as a BOOKPLATE by LILIEN lovers no doubt , The EX LIBRIS , With itsexquisite design is a beauty . You can still seethe LILIEN signature-logo at the botton left corner. EPHRAIM MOSES LILIEN , The Jewish-Judaica - Hebrew ARTIST of Polish origin , A friend of HERZL from the BEZALEL SCHOOL of ART in JERUSALEM Eretz Israe- Palestine was an acclaimed JUGENDSTIL - ART NOUVEAU ARTIST. LILIEN , Along with BUDKO , RABAN , GUR ARIEH , STRUCK , STEINHARDT and others was a distinguished JUDAICA ARTIST . All these BAZALEL artists , Illustrators and painters were involved in the thrilling creation of JEWISH BOOKPLATES. 2.5 x 4 \". Excellentcondition. ( Please watch the scan for a reliable AS IS scan ) Will be sent in a special protective rigid sealed packaging.

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AUTHENTICITY : Thisis anORIGINALvintage 1920\'s or 1930\'s bookplate , NOT a reproduction or a reprint , It holds a life long GUARANTEE for its AUTHENTICITY and ORIGINALITY.SHIPPMENT : Shipp worldwide via registered airmail is $ 9 . Will be sent in a special protective rigid sealed packaging. Will be sent within3-5 days after payment . Kindly note that duration of Int\'l registered airmail is around 14 Bezalel school describes a group of artistswho worked in Israel in the late Ottoman and British Mandate periods. It isnamed after the institution where they were employed, the Bezalel Academy,predecessor of today’s Bezalel Academy of Art and Design, and has beendescribed as \"a fusion of ‘oriental\' art and Jugendstil.\" The Academywas led by Boris Schatz, who left his position as head of the Royal Academy ofArts in Sofia, Bulgaria, to make aliyah 1906 and set up an academy for Jewisharts. All of the members of the school were Zionist immigrants from Europe andthe Middle East, with all the psychological and social upheaval that thisimplies. The school developed a distinctive style, in which artists portrayedboth Biblical and Zionist subjects in a style influenced by the Europeanjugendstil ( or art nouveau) movement, by symbolism, and by traditional Persianand Syrian artistry. Like the British Arts and Crafts Movement, WienerWerkstätte in Vienna, William Morris firm in England, and Tiffany Studios inNew York, the Bezalel School produced decorative art objects in a wide range ofmedia: silver, leather, wood, brass and fabric. While the artists and designerswere European-trained, the craftsmen who executed the works were often membersof the Yemenite community, which has a long tradition of craftsanship inprecious metals, and began to make aliyah about 1880. Yemenite immigrants withtheir colorful traditional costumes were also frequent subjects of BezalelSchool artists.Leading members of the school were Boris Schatz, E.M.Lilien,Ya\'akov Stark, Meir Gur Arie, Ze\'ev Raban, Jacob Eisenberg, JacobSteinhardt, and Hermann Struck.The artists produced not only paintings andetchings, but objects that might be sold as Judiaca or souvenirs. In 1915, theNew York Times praised the “Exquisite examples of filigree work, copper inlay,carving in ivory and in wood,” in a touring exhibit. In the metalwork Moorishpatterns predominated, and the damascene work, in particular, showed both artisticfeeling and skill in execution . BezalelAcademy of Art and Design is Israel\'s national school of art. It is named afterthe Biblical figure Bezalel, son of Uri (Hebrew: ), who was appointed by Mosesto oversee the design and construction of the Tabernacle (Exodus 35:30).It islocated on Mount Scopus in Jerusalem and has 1,500 students registered inprograms such as: Fine Arts, Architecture, Ceramic Design, Industrial Design,Jewelry, Photography, Visual Communication, Animation, Film, and Art History& Theory. Bezalel offers Bachelor of Fine Arts (B.F.A.), Bachelor ofArchitecture (B.Arch.), Bachelor of Design (B.Des.) degrees, a Master of FineArts in conjunction with Hebrew University, and two different Master of design(M.des) degree. The academy was founded in 1903 by Boris Schatz, and opened in1906, but was cut off from its supporters in Europe by World War I, and closeddue to financial difficulties in 1929. The academy was named\"Bezalel\" (Hebrew: \"in God\'s shadow\") as an illustration ofGod\'s creativity being channeled to a man of flesh and blood, providing thesource of inspiration to Bezalel ben Uri in the construction of the holyark.Many early Zionists, including Theodor Herzl, felt that Israel needed tohave a national style of art combining Jewish, Middle Eastern, and Europeantraditions. The teachers at the academy developed a distinctive school (orstyle) of art, known as the Bezalel school, in which artists portrayed bothBiblical and Zionist subjects in a style influenced by the European jugendstil(art nouveau) and by traditional Persian and Syrian styles.Like the WienerWerkstätte in Vienna, William Morris firm in England, and Tiffany Studios inNew York, the Bezalel School produced decorative art objects in a wide range ofmedia: silver, leather, wood, brass and fabric. While the artists and designerswere European-trained, the craftsmen who executed the works were often membersof the Yemenite community, which has a long tradition of craftsanship inprecious metals, and whose members had been making aliyah in small groups atleast form the beginning of the nineteenth century, forming a distinctiveYeminite community in Jerusalem. Silver and goldsmithing, occupations forofferdento pious Muslims, had been traditional Jewish occupations in Yemen. Yemeniteimmigrants with their colorful traditional costumes were also frequent subjectsof Bezalel school artists.Leading artists of the school include Meir Gur Aryeh,Ze\'ev Raban, Boris Schatz, Jacob Eisenberg, Jacob Steinhardt, and Hermann Struck.The School folded because of economic difficulties. It was reopened as the NewBezalel School for Arts and Crafts in 1935, attracting many of its teachers andstudents from Germany many of them from the Bauhaus school which had been shutdown by the Nazis. In 1969 it was converted into a state-supported institutionand took its current name. It completed its relocation to the current campus in1990. Ephraim Moses Lilien(1874–1925) was an art nouveau illustrator and print-maker particularly notedfor his art on Jewish and Zionist themes. He is sometimes called the\"first Zionist artist.\"Ephraim Moses Lilien (Maurycy Lilien) was born in Drohobycz,Galicia in 1874. In 1889-1893 Lilien learned painting and graphic techniques atthe Academy of Arts in Kraków. He studied under Polish painter Jan Matejko from1890 to 1892. As a member of the Zionist Movement, Lilien traveled to OttomanPalestine several times between 1906 and 1918. He accompanied Boris Schatz toJerusalem to help establish the Bezalel Art School. Lilien was one of the twoartists to accompany Boris Schatz to Eretz Israel in 1906 for the purpose ofestablishing Bezalel Academy of Arts and Design, and taught the school\'s firstclass in 1906. Although his stay in the country was short-lived, he left hisindelible stamp on the creation of an Eretz Israel style, placing biblicalsubjects in the Zionist context and oriental settings, conceived in anidealized Western design. In the first two decades of the century, Lilien\'swork served as a model for the Bezalel group. Artisticcareer Lilien is known for hisfamous photographic portrait of Theodor Herzl. He often used Herzl as a model,considering his features a perfect representation of the \"New Jew.\"In 1896, he received an award for photography from the avantgarde magazine Jugend.Lilien illustrated several books. In 1923, an exhibition of his work opened inNew York. Lilien\'s illustrated books include Juda (1900),Biblically-themes poetry by Lilien\'s Christian friend, Börries Freiherr vonMünchausen, and Lieder des Ghetto (Songs of the Ghetto) (1903), Yiddishpoems by Morris Rosenfeld translated into German. Deathand commemoration Lilien died in Badenweiler, Germany in 1925.