1960 Hebrew ISRAEL Zionist FILM POSTER Movie \"HEM HAYU ASARA\" Palestine JUDAICA
![1960 Hebrew ISRAEL Zionist FILM POSTER Movie \](img-large/g/KwYAAOSwQJhUlTxM/s-l1600/1960-Hebrew-ISRAEL-Zionist-FILM-POSTER-Movie-HEM-H.jpg "1960 Hebrew ISRAEL Zionist FILM POSTER Movie \")
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1960 Hebrew ISRAEL Zionist FILM POSTER Movie \"HEM HAYU ASARA\" Palestine JUDAICA:
$145.00
DESCRIPTION : Up for sale is a 55 years old EXCEPTIONALY RARE and ORIGINAL Jewish - Judaica MOVIE POSTER for the ISRAEL 1960 PREMIERE ofthe legendary MOST IMPORTANT ISRAELI FILM , One of the milestones of ISRAELI FILM MAKING and ISRAELI CULTURE and ENTERTAINMENT , The film \" HEM HAYU ASARA\" ( \"THEY WERE TEN \" -\" הם היו עשרה\" ) Starrig the top row of ISRAEL THEATRE and FILM actors . The FILM with its strongly ZIONIST MESSAGE was about the first steps of JEWISH IMMIGRATION and SETTLEMENT in Eretz Israel ( Then was refered to as Palestine ). Ten Russian settlers - pioneers who came to settle in the GALILEE at the end of the 19th Century. , Directed by quite forgotten Baruch Dienar . The film projection took place in the small rural town of NATHANYA ( Also Natania ) in ERETZ ISRAEL. The cinema-movie hall \" CINEMA SHARON\" ( A legendary Israeli Cinema Paradiso ) was printing manualy its own posters , And thus you can be certain that this surviving copy is ONE OF ITS KIND. Text in HEBREW .Please note : This is NOT a re-release poster but a PREMIERE - FIRST RELEASE projection of the film , Together with itsrelease in other Israeli towns and cities . The ISRAELI distributors of the film have given it an INTERESTING and quite archaic and amusing advertising and promotingaccompany text , Very naive and poetic - Typical to these very early years in the existance of the Independent State of Israel and the first steps in Israel film making .Size around 27\" x 38\" ( Not accurate ) . Printed in red and green on white paper. Two sheets glued together as issued by the \"Sharon\" cinema. The condition is very good . 2 folds. Slightly stained. Two sheets glued together as issued by the \"Sharon\" cinema.( Pls look at scan for accurate AS IS images ) Poster will be sent rolled in a special protective rigid sealed tube.
PAYMENTS : Payment method accepted : Paypal .SHIPPMENT :SHIPPworldwide via expedited insured trackable registered airmail $ 18 ( $12 Israeli domestic shipp ). Poster will be sent rolled in a special protective rigid sealed tube. Handling within 3-5 days after payment. Estimated Int\'l duration around 10 days.
Filmmaking in Israel has undergone major developments since its inception in the 1950s. The first features produced and directed by Israelis, such as \"Hill 24 Doesn\'t Answer\" and \"They Were Ten\", tended, like Israeli literature of the period, to be cast in the heroic mold. Some recent films remain deeply rooted in the Israeli experience, dealing with such subjects as Holocaust survivors and their children (Gila Almagor\'s \"The Summer of Aviya\" and its sequel, \"Under the Domim Tree\") and the travails of new immigrants (\"Sh\'hur\", directed by Hannah Azoulai and Shmuel Hasfari, \"Late Marriage\" directed by Dover Koshashvili).Others deal with issues of modern day Israeli life, such as the Israeli-Arab conflict (Eran Riklis\'s \"The Lemon Tree\", Scandar Copti and Yaron Shani\'s \"Ajami\") and military service (Joseph Cedar\'s \"Beaufort\", Samuel Maoz\'s \"Lebanon\", Eytan Fox\'s \"Yossi and Jagger\"). Some are set in the context of a universalist, alienated, and hedonistic society (Eytan Fox\'s \"A Siren\'s Song\" and \"The Bubble\", Ayelet Menahemi and Nirit Yaron\'s \"Tel Aviv Stories\").The Israeli film industry continues to gain worldwide recognition through International awards nominations. For three years consecutively, Israeli films (\"Beaufort\" (2008), \"Waltz with Bashir\" (2009) and \"Ajami\" (2010)) were nominated for Academy Awards. The Spielberg Film Archive at the Hebrew University of Jerusalem is the world\'s largest repository of film material on Jewish themes as well as on Jewish and Israeli life.[22]The main international film festivals in Israel are the Jerusalem Film Festival and Haifa Film Festival.developed a flourishing film industry, with movies competing in international film festivals and winning numerous awards. In Israel, a country of just eight million people, there are ten film schools and seven international film festivals.In recent years the Israeli film industry has grown tremendously, with annually more than 2.5 million people worldwide watching Israeli films. Such growth is an achievement of the Israeli Film Fund, which works to engender a sustainable, creative and a vibrant Israeli film industry. In 2000, the Israeli government passed a New Cinema Law to ensure and secure more funding for Israeli cinema.Filmmaking in Israel has undergone major developments since its inception in the 1950s. The first features produced and directed by Israelis such as “Hill 24 Does Not Answer,” and “They Were Ten,” tended, like Israeli literature of the period, to be cast in the heroic mold.Some recent films remain deeply rooted in the Israeli experience, dealing with such subjects as Holocaust survivors and their children (Gila Almagor’s “The Summer of Aviya” and its sequel, “Under the Domim Tree”) and the travails of new immigrants (“Sh’hur”, directed by Hannah Azoulai and Shmuel Hasfari, “late Marriage” directed by Dover Koshashvili). Others reflect a more predominant trend towards the present Israeli reality, whether dealing with the Israel-Arab and the Jews-Arabs confrontations (Eran Riklis’s “The Lemon Tree”, Scandar Copti and Yaron Shani’s “Ajami”), the military aspects in the Israelis life (Joseph Cedar’s “Beaufort”, Samuel Maoz’s “Lebanon”, Eytan Fox ‘s “Yossi and Jagger”) or set in the context of universalist, somewhat alienated and hedonistic society (Eytan Fox’s “A Siren’s Song” and “The Bubble”, Ayelet Menahemi and Nirit Yaron’s “Tel Aviv Stories”). The Israeli film industry continues to gain worldwide recognition through International awards and nominations.The first home-grown films to be made in what is now Israel were Zionist propaganda movies produced during the pre-state period for such institutions as the Jewish fund. After 1948 several small film studios were established and a number of feature films made. Inevitably during this period, heroic images predominated and cinematic portrayals tended to deal with such issues such as war, ideology, kibbutzim and state-building. Two films typical of this formative period in Israeli cinema were Hill 24 Does Not Answer and They Were Ten. Quality Israeli film-making got underway on a significant scale during the 1960s and 1970s when Israeli films began to deal with a broader spectrum of social issues such as the travails of new immigrants or the tensions between different Jewish communities. One genre of low-budget comedy popular since that time is the bourekas (named after a type of pastry), which pits stereotyped emotional, lazy and vulgar Sephardi against snobbish, humourless and dull Ashkenazi. Nowadays the most successful Israeli films tend to be deeply rooted in the Israeli experience, focusing on the Arab-Israeli conflict or Holocaust-related topics rather than on international themes. In recent years several Israeli-made films have found success overseas and an increasing number of international film makers have been attracted by the country’s stunning locations and sophisticated filming infrastructure. The Israel Film Center, a division of the Ministry of Industry and Trade, functions to promote film production in Israel by both local and foreign film makers. Inaugurated in the 1970s, the Tel Aviv, Jerusalem and Haifa Cinematheques are dedicated to promoting the art of cinema and educating the public on different aspects of this art. Israel also hosts several major film festivals including Jerusalem Cinematheque’s Jerusalem Film Festival, Tel Aviv Cinematheque’s Jazz, Films and Videotape festival, Haifa Cinematheque’s ‘Neighbours’ – Haifa International Film Festival and Tel Aviv University’s International Student Film Festival. State-run broadcasting services in Israel comprise the eight-station Kol Israel (‘Voice of Israel’) radio network, which offers programming in 17 languages, and Channel 1 television, which presents educational, information and entertainment programmes in Hebrew, Arabic and English. Both operate under the aegis of the Israel Broadcasting Authority (IBA). One local commercial channel, Channel 2, incorporates certain hours reserved daily for educational television. Cable and satellite TV are now widely available. Israel is well-resourced in private film and video production companies which are exhaustively listed in most international film and television directories.They Were Ten Hem Hayu Asarah Narrative, 1960. 105mins. Languages: Hebrew Directed by: Baruch Dienar Ninette Dinar as Manyah Oded Teomi as Yosef Leo Filler as Zalman Yoseph Safra as Shimon Bomba Tzur as Berl Gabriel Dagan as Mirkin Yisrael Rubinshik as Avraham Nissim Azikri as Asher Amnon Kahanovich as Shmulik
1960 Hebrew ISRAEL Zionist FILM POSTER Movie \"HEM HAYU ASARA\" Palestine JUDAICA:
$145.00