ATTRACTIVE AYMARA INDIAN BLANKET Antique Bolivian Textile Unusual Layout TM8832

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ATTRACTIVE AYMARA INDIAN BLANKET Antique Bolivian Textile Unusual Layout TM8832:
$159.00

.OUR COMMITMENT

We believe the world can be a better place. We believe that humanity has a higher, aspiring destination. We know that through mutual respect conflicts will subside. We know that by understanding our differences we can help one another. We believe that our Mother Earth and our Universe can provide unlimited resources for every man, woman and child to live in peace, happiness and love. As stewards of the human race we have an intrinsic responsibility to do what we can to improve our world as much as possible.

The majority of human existence has been dominated by so-called “Native” groups, also known as tribal folk, original residents, indigenous people, aboriginals, First Nations, traditional ethnicities, autochthonous societies, autochthonal cultures, et. al. At some point of course our ancestors were the same… regardless of current culture, creed or color. Regrettably, in the past half a millennium, thousands of unique tribal groups have disappeared due to misunderstanding, impudence and ethnocentrism. Aspects of colonialism, capitalism, racism and politicization have directly and circuitously destroyed myriad native cultures, each a once-valuable resource to our planet. Of the nearly 7000 languages currently spoken on our planet, over 6000 are in immediate danger of becoming extinct. The vast majority of those are ethnic indigenous. We believe the very few “Native” groups that remain on earth should be cherished and carefully supported. Unfortunately, we are on the brink of losing our connection with indigenous spirit, wisdom and traditional knowledge. For those whose customs have vanished, our window into their worlds is only available through literature, paintings, photographs, a few recordings and material culture, or the objects they created.

For more than a quarter century those of us behind AKATAKSA/ANDESAMAZON have dedicated our professional interests to documenting “traditional” South American indigenous cultures, especially through their material culture. Our field studies have led us to some of the remotest living people on the continent. We have witnessed Native Americans existing exactly as their ancestors did in prehistoric times… and others who have jumped from 18th century existence to 21st century reality in the blink of an eye. Our ethnographic investigations have resulted in valuable data related to linguistics, cultural history, ethno-Environmental relationships, socio-cultural organization, cosmology, mythology, spirituality and of course, material culture. We have a detailed proposal for a magnificent cultural center aimed at stimulating interest in past and present indigenous cultures. Our unique idea is not just to show beautiful objects on display. Ours is to share the entire background of a piece, not only from a scientific or scholarly point of view but also from a cultural and spiritual perspective as well. This holistic approach to understanding indigenous material culture shall include accompanying photographs, films, recorded testimonials, music, related specimens and even field notes. We want to inspire our visitors to continue their own investigations into realms of mysterious phenomena that we really know very little about.

Apart from receiving monies for researching indigenous material culture, our sales contribute toward expanding interest in past cultures and ways of life. Not only can ones´ personal Environment be enhanced with beautiful and interesting objects but the benefits of knowing about different ideologies, unique ways of life and past or nearly-extinct traditions are utterly invaluable. We encourage every buyer to intimately study each piece and learn as much as possible about its origin, function, importance and spiritual history. We hope that whatever understanding, knowledge and insights are obtained from our objects will be shared with companions, friends and especially children. In this small way we feel inspired in preserving something of native cultures and making the world a better place. Thank you for working with us.

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AN UNUSUAL ANTIQUE AYMARA INDIAN BLANKET
FROM NEAR LAKE TITIKAKA, BOLIVIA

Inventory Number: TM8832

Origin: Peruvian Puna about 13,200 feet elevation, Ingavi Province, south of Sacred Lake Titikaka, Department of La Paz, Bolivia, South America.

Background and Description:

This is an authentic indigenous Aymara-speaking Native American hand-woven warp-faced ikiña staked-loom blanket woven in two separate pieces and joined together. These blankets have four selvages. Stake-looms are primitive prehistoric-style impermanent looms, traditionally consisting of loose sticks, including four short vertical posts embedded in the ground, three tension bars and various weaving sticks. Those, together with a wood or bone awl and spun yarn, are all that are needed to produce these fabulous works of textile art. Upon completing a textile, the loom is reduced to its original bundle of sticks. This is an attractive blanket of antique age in splendid condition. This is a pretty eccentric Andean weaving because the two sides are not mirror images of each other. The vast majority of Andean textiles woven in two pieces are symmetrical or nearly so. The banding in this textile is seemingly random, reflecting an idiosyncratic artist weaver who defied the norm. The primary colors include dark red, burgundy red and rust red – not \"pink,\" as might appear on some monitors. The blanket can be easily stretched to a perfectly rectangular form for wall display. This interesting old textile dates from about 1930 to 1950.

Approximate Age: Mid-20th century. Please refer to the ANDES AMAZON \"DATING\" TERMS.

Materials: Hand-spun sheep wool.

Approximate Size: 71 inches by 57 inches.

Condition: EXCELLENT.

There are no holes, worn spots or irregularities in the weave. There is some very minor, barely noticeable light dye transfer from tightening the weft yarns with a bone awl -- not from moisture contact. In the weaving process, awls are often lightly stained from contact with dyed yarns. Not uncommonly, a minor amount of that stain is transferred to natural-white yarns. In this case, the minor transfer is almost imperceptible. Most of the colors have muted with age. Please refer to the photos and the ANDES AMAZON TEXTILE \"CONDITION\" TERMS.

ANDESAMAZON SHIPPING

All of our items are shipped directly from South America. The advantage is that selling costs are kept to a minimum. The disadvantage is that items will not arrive quickly. Most items arrive in two to three weeks from their date of shipping; however, some items have taken up to six weeks to arrive (especially to Australia, India, Japan, New Zealand and Asia) due mostly to customs inspections and policies. Items to the United States of America have arrived in as few as ten days. Our offices are not in close proximity to international postal service. Most items are shipped within one to three working days of payment.

The cost for shipping this item is as follows:

$30.00 SHIPPING TO: ASIA, AUSTRALIA, INDIA and NEW ZEALAND

ANDESAMAZON

ANDESAMAZON is an sister site to AKATAKSA, which began in February, 1999. With transactions involving some 3000 clients AKATAKSA is noted with ABOVE STANDARD performance and 100% POSITIVE response. All AKATAKSA items are shipped from within the United States. All ANDESAMAZON items are shipped directly from South America. Our intention is to reach a larger number of clients by keeping worldwide shipping costs to a minimum. Unfortunately, WE CANNOT OFFER RETURNS – either in merchandise or money. We promise to continue providing detailed and accurate information related to age, origin, condition and descriptions as we have for the past 15 years. WE ALSO PROMISE TO DO EVERYTHING POSSIBLE TO ASSURE THAT YOU ARE SATISFIED WITH YOUR PURCHASES.

FOR ADDITIONAL INFORMATION RELATING TO ANDEAN CULTURE, ARTS AND HISTORY,
THIS NEW ANDES AND AMAZON WEBSITE MAY BE USEFUL.

ANDES AMAZON \"DATING\" TERMS:

PREHISTORIC, PRE-COLUMBIAN, ANCIENT = Before around A.D. 1500.
18TH CENTURY = A.D. 1700 to 1799.
19th CENTURY = 1800 to 1899.
TURN OF THE 19TH CENTURY = 1890 to 1910.
EARLY-20TH CENTURY = 1900 to 1933.
MID-20TH CENTURY = 1934 to 1966.
LATE-20TH CENTURY = 1967 to 1999.
TURN OF THE 20TH CENTURY = 1995 to 2005.
EARLY-21ST CENTURY = 2000 to Present.
COLONIAL = A.D. 1532 to 1825.
ANTIQUE = Over 50 years old.
VINTAGE = Over 30 years old.
CONTEMPORARY = Made in the last 5 years.
CIRCA = \"Approximately/around/within a few years of.\"

ANDES AMAZON TEXTILE “CONDITION” TERMS:

Terms used to describe the physical condition of textiles can be subjective and vary greatly from one observer to another. What some others call “mint” condition, we call “good”; what others call “excellent” condition, we call “fair.” Following are explanations of the terms we use.

MINT = Like new. Unused -- as if recently removed from the loom. No wear or patina of any kind. These textiles may have “nubs” or even loose, uncut threads from the weaving process.
EXCELLENT = Usually only lightly used, often guarded or stored for many years. There may be extremely light wear, patina and sheen from use. There may also be nearly undetectable light staining or soiling from use. The colors may have muted ever so slightly due to age or exposure, often improving the beauty of a textile.
VERY GOOD = Usually lightly or only periodically used. The surface may be very lightly but evenly worn. There are no tears or distracting holes. There may be minimal surface discoloration. Vintage textiles may have lightly darkened yarn from use and age (staining and soiling). Overall, the textile will be in outstanding condition and at a displayable distance will appear perfect.
GOOD = Usually moderately to well-used. There may be light to medium staining, isolated or throughout. Some parts of the textile may be worn or have very small holes, occasionally exposing hidden thread yarns. Edges may be lightly frayed. Surface discoloration due to age and exposure is common but often improving the appearance of a textile. There may be minor, light or isolated, dye “run.” Damage will not distract significantly from the textile when displayed.
FAIR = Either well-used or moderately abused. Extensive wear is common as is some “bleeding” or dye “run.” In most 20th century cases, the colors have considerably faded. Sections of fringe or tassels may be missing. Textiles may be in otherwise excellent condition but with a single isolated sector of damage, that greatly reduces its aesthetic appeal. Most vintage tribal textiles on the market are in FAIR TO GOOD condition.
POOR = Showing evidence of extreme usage and damage. These textiles do not display well and are primarily useful as study specimens or examples of sometimes very rare textiles.

THANK YOU FOR YOUR INTEREST AND SUPPORT