KAWASE HASUI Japanese Woodblock Print EVENING SAIL Early printing 1930s

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KAWASE HASUI Japanese Woodblock Print EVENING SAIL Early printing 1930s:
$149.99

KAWASE HASUI Japanese Woodblock Print EVENING SAIL Early printing 1930s
KAWASE HASUIEvening at Yashima, also known as \"Sailboat Near Rocky Coastline\"Date: 1930s published from the original wood blocks by Watanabe, with Hasui seal at lower left corner
Size: koban 7.75\" X 5.25\"
Condition: VG, no flaws, uncirculated print, never framed
Impression: Fine, excellent registration, solid key lines and tight registration of color
Color: Fine, deep saturated color and bleed through to verso
Documentation: Kawase Hasui: The Complete Woodblock Prints, Hotei, 2003, Volume 1 page 147; listed as HP-82
Provenance: from the Robert O. Muller CollectionNice copy of a rarely seen koban-sized Hasui print made in the 1930s from the Robert O. Muller estate. WHO WAS ROBERT O. MULLER?
Robert O. Muller’s love affair with Japanese prints began one day in the 1930s, when as a student in New York City he spotted a Hasui in a gallery window, and immediately arranged to purchase the print. As a newly wed in 1940 he went on a print shopping tour to Japan with his wife where he met the shin hanga publisher Watanabe Shozaburo and Watanabe’s stable of artists including: Kawase Hasui, Shiro Kasamatsu, and Ito Shinsui. He also met and befriended Hiroshi Yoshida.

After WWII, Muller continued to deal in Japanese prints, but he was also an avid collector with a keen eye for good art. Although the Muller Collection is best known for shin hanga, Mr. Muller also collected late nineteenth century prints and good reproductions of famous Edo masters.

When Mr. Muller passed away on April 10, 2003, he had left possibly the largest and finest collection of 20th century Japanese prints in the world, and the question of what would become of his notorious collection was a major topic among Japanese print collectors. The finest 20th century prints from his collection were given as a gift to the Sackler Gallery of the Smithsonian Institute in Washington D.C., and an exhibit was mounted. Other portions of the collection were sold at sale and still more remains with his heirs. Several books have been published about the collection.

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