LEATHER Set;SIR WALTER SCOTTWorks Poetry •1821 Antique Library FINE/MINT/RARE
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LEATHER Set;SIR WALTER SCOTTWorks Poetry •1821 Antique Library FINE/MINT/RARE:
$342.00
The Complete Poetical Works of SIR WALTER SCOTT!
Complete in 7-volumes, with volume 7 containing the miscellaneous ballads.Printed in 1821.Approaching 200 years old.SECOND EDITION.In mint/Fine condition.Rare, especially this well preserved.This will make an excellent gift or addition to any fine library.
In exceptionally fresh and supple condition.Very fresh supple leather, despite being almost 200 years old.Printed on quality paper.Thick ink.These are a measure to read.
This will make an excellent gift.The condition is exceptional. Printed in 1821!!
This set is OVER 175 YEARS OLD!! Bound in the original high-quality, calf leather bindings.
Gilded spines, with 2 leather labels, and elaborate embossing.
Marbled edges, and end papers.
Printed on thick quality paper.
Frontis engraving of Scott.In exceptionally fresh condition.EVEN THE FRONTIS TISSUE IS STILL INTACT.LEATHER AND PAPER ARE EXTREMELY FRESH. Let alone for being almost two hundred years old.
These measure 6 7/8 inches tall.
These take up 6 inches of shelf space.Paris: A. And W. GalignaniPrinted in quality paper.Printed in English.
Printed in 1821.
Second Edition.
(First collected edition was in Edinburgh in 1820).From the press of P. Didot, Printer to his Magesty.Complete in 7 volumes. In VERY GOOD, Near Mint condition, despite being printed in 1821. The leather is very supple and fresh. All hinges are all 100% fully attached, fresh, and strong. Printed on thick quality paper that is very fresh, bright, and clean, with some minor foxing. No writing. Allhinges checked and are all sound. A small puncture was noted in rear upper of volume 7 but this doesn\'t stand out and appears set in as if it was made this way or happened in the early 1800s. These are half leather bindings with marbles covers. No writing. Printed on quality paper; light foxing up front.This is a gorgeous and important set. In exceptional condition. This would make an excellent gift and/or addition to any fine library.
Antiquarian books make a great investment, are only going up in value, and are sure to increase the aura of any room or office! We will pack very securely to ensure safe arrival at your doorstep.
All books are individually wrapped and professionally padded. Ornately gilded spines.
Calf-leather bindings, such as these, are hard to obtain and are very desirable.
Marbled end papers.
Wide margins and thick ink.This set is a pleasure to read. This would make an excellent gift and/or addition to any fine library.
Antiquarian books make a great investment, are only going up in value, and are sure to increase the aura of any room or office! I will pack very securely to ensure safe arrival at your doorstep.
All books are individually wrapped and professionally padded.
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This set displays exceptionally well!! This would make an excellent gift and/or addition to any fine library.
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Sir Walter Scott
Sir Walter Scott, 1st Baronet,FRSE(15 August 1771 – 21 September 1832) was a Scottish historical novelist, playwright and poet. Many of his works remain classics of both English-language literature and ofScottish literature. Famous titles includeIvanhoe,Rob Roy,Old Mortality,The Lady of the Lake,Waverley,The Heart of MidlothianandThe Bride of Lammermoor.
Although primarily remembered for his extensive literary works and his political engagement, Scott was anadvocate, judge and legal administrator by profession, and throughout his career combined his writing and editing work with his daily occupation asClerk of style=\"margin: 0.5em 0px; line-height: inherit; font-size: 14px;\">A prominent member of theToryestablishment in Edinburgh, Scott was an active member of theHighland Societyand served a long term as President of theRoyal Society of Edinburgh(1820–32).
Contents[hide]- 1Life and works
- 1.1Early days
- 1.2Meeting with Blacklock and Burns
- 1.3Start of literary career, marriage and family
- 1.4Poetry
- 1.5Novelism
- 1.6Recovery of the Crown Jewels, baronetcy and ceremonial pageantry
- 1.7Financial problems and death
- 2Personal life
- 3Abbotsford
- 4Legacy
- 4.1Later assessment
- 4.2Memorials and commemoration
- 4.3Literature by other authors
- 5Bibliography
- 5.1Novels
- 5.2Poetry
- 5.3Short stories
- 5.4Plays
- 6See also
- 7References
- 8Further reading
- 9External links
Walter Scott was born on 15 August 1771. He was the ninth child of Walter Scott, aWriter to the Signet(solicitor), and Anne Rutherford. His father was a member of a cadet branch of the Scotts Clan, and his mother descended from the Haliburton family, the descent from whom granted Walter\'s family the hereditary right of burial in Dryburgh Abbey.[1]Via the Haliburton family, Walter (b.1771) was a cousin of the pre-eminent contemporaneous property developerJames Burton, who was a Haliburton who had shortened his surname, and of his son, the architectDecimus Burton.[2]Walter subsequently became a member of theClarence Club, of which the Burtons were also members.[3][4]
Five of Walter\'s siblings died in infancy, and a sixth died when he was five months of age. Walter was born in a third-floor flat on College Wynd in theOld TownofEdinburgh, a narrow alleyway leading from theCowgateto the gates of theUniversity of Edinburgh(Old College).[5]He survived a childhood bout ofpolioin 1773 that left him lame,[6]a condition that was to have a significant effect on his life and writing.[7]To cure his lameness he was sent in 1773 to live in the ruralScottish Bordersat his paternal grandparents\' farm at Sandyknowe, adjacent to the ruin ofSmailholm Tower, the earlier family home.[8]Here he was taught to read by his aunt Jenny, and learned from her the speech patterns and many of the tales and legends that characterised much of his work. In January 1775 he returned to Edinburgh, and that summer went with his aunt Jenny to take spa treatment atBathin England, where they lived at 6South Parade.[9]In the winter of 1776 he went back to Sandyknowe, with another attempt at a water cure atPrestonpansduring the following summer.[8]
The Scotts\' family home inGeorge Square, EdinburghIn 1778, Scott returned to Edinburgh for private education to prepare him for school, and joined his family in their new house built as one of the first inGeorge Square.[5]In October 1779 he began at theRoyal High School of Edinburgh(in High School Yards). He was now well able to walk and explore the city and the surrounding countryside. His reading included chivalric romances, poems, history and travel books. He was given private tuition by James Mitchell in arithmetic and writing, and learned from him the history of theChurch of Scotlandwith emphasis on theCovenanters. After finishing school he was sent to stay for six months with his aunt Jenny inKelso, attendingthe local grammar schoolwhere he metJamesandJohn Ballantyne, who later became his business partners and printed his books.[10]
Meeting with Blacklock and Burns[edit]Scott began studying classics at theUniversity of Edinburghin November 1783, at the age of 12, a year or so younger than most of his fellow students. In March 1786 he began an apprenticeship in his father\'s office to become aWriter to the Signet. While at the university Scott had become a friend of Adam Ferguson, the son of ProfessorAdam Fergusonwho hosted literary salons. Scott met the blind poetThomas Blacklock, who lent him books and introduced him toJames Macpherson\'sOssiancycle of poems. During the winter of 1786–87 the 15-year-old Scott sawRobert Burnsat one of these salons, for what was to be their only meeting. When Burns noticed a print illustrating the poem \"The Justice of the Peace\" and asked who had written the poem, only Scott knew that it was byJohn Langhorne, and was thanked by Burns.[11]When it was decided that he would become a lawyer, he returned to the university to study law, first taking classes in Moral Philosophy and Universal History in 1789–90.[10]
After completing his studies in law, he became a lawyer in Edinburgh. As a lawyer\'s clerk he made his first visit to the Scottish Highlands directing an eviction. He was admitted to theFaculty of Advocatesin 1792. He had an unsuccessful love suit with Williamina Belsches of Fettercairn, who married Scott\'s friendSir William Forbes, 7th Baronet.
Start of literary career, marriage and family[edit]A copy of Scott\'sMinstrelsyin the National Museum of ScotlandAs a boy, youth and young man, Scott was fascinated by the oral traditions of the Scottish Borders. He was an obsessive collector of stories, and developed an innovative method of recording what he heard at the feet of local story-tellers using carvings on twigs, to avoid the disapproval of those who believed that such stories were neither for writing down nor for printing.[12]At the age of 25 he began to write professionally, translating works from German,[13]his first publication being rhymed versions of ballads byGottfried August Bürgerin 1796. He then published an idiosyncratic three-volume set of collected ballads of his adopted home region,The Minstrelsy of the Scottish Border. This was the first sign from a literary standpoint of his interest in Scottish history.
As a result of his early polio infection, Scott had a pronounced limp. He was described in 1820 as tall, well formed (except for one ankle and foot which made him walk lamely), neither fat nor thin, with forehead very high, nose short, upper lip long and face rather fleshy, complexion fresh and clear, eyes very blue, shrewd and penetrating, with hair now silvery white.[14]Although a determined walker, on horseback he experienced greater freedom of movement. Unable to consider a military career, Scott enlisted as a volunteer in the 1st Lothian and Borderyeomanry.[15]
On a trip to theLake Districtwith old college friends he met Charlotte Charpentier (or Carpenter), daughter of Jean Charpentier ofLyonin France, and ward of Lord Downshire inCumberland, an Episcopalian. After three weeks of courtship, Scott proposed and they were married on Christmas Eve 1797 in St Mary\'s Church, Carlisle (a church set up in the now destroyed nave ofCarlisle Cathedral).[16]After renting a house inGeorge Street, they moved to nearby South Castle Street. They had five children, of whom four survived by the time of Scott\'s death, most baptized by an Episcopalian clergyman. In 1799 he was appointedSheriff-Deputeof theCounty of Selkirk, based in theRoyal BurghofSelkirk. In his early married days Scott had a decent living from his earnings at the law, his salary as Sheriff-Depute, his wife\'s income, some revenue from his writing, and his share of his father\'s rather meagre estate.
After their third son was born in 1801, they moved to a spacious three-storey house built for Scott at 39 North Castle Street. This remained Scott\'s base in Edinburgh until 1826, when he could no longer afford two homes. From 1798 Scott had spent the summers in a cottage atLasswade, where he entertained guests including literary figures, and it was there that his career as an author began. There were nominal residency requirements for his position of Sheriff-Depute, and at first he stayed at a local inn during the circuit. In 1804 he ended his use of the Lasswade cottage and leased the substantial house ofAshestiel, 6 miles (9.7km) from Selkirk. It was sited on the south bank of theRiver Tweed, and the building incorporated an oldtower house.[5]
Scott\'s father, also Walter (1729–1799), was a Freemason, being a member of Lodge St David, No.36 (Edinburgh), and Scott also became a Freemason in his father\'s Lodge in 1801, albeit only after the death of his father.[17]
Poetry[edit]Sir Walter Scott, novelist and poet - painted bySir William AllanIn 1796, Scott\'s friendJames Ballantyne[18]founded a printing press in Kelso, in the Scottish Borders. Through Ballantyne, Scott was able to publish his first works, including \"Glenfinlas\" and \"The Eve of St. John\", and his poetry then began to bring him to public attention. In 1805,The Lay of the Last Minstrelcaptured wide public imagination, and his career as a writer was established in spectacular fashion.
The way was long, the wind was cold,
— The Lay of the Last Minstrel (first lines)
The Minstrel was infirm and oldHe published many other poems over the next ten years, including the popularThe Lady of the Lake, printed in 1810 and set in theTrossachs. Portions of the German translation of this work were set to music byFranz Schubert. One of these songs, \"Ellens dritter Gesang\", is popularly labelled as \"Schubert\'sAve Maria\".
Beethoven\'s opus 108 \"Twenty-Five Scottish Songs\" includes 3 folk songs whose words are by Walter Scott.
Marmion, published in 1808, produced lines that have become proverbial. Canto VI. Stanza 17 reads:
Yet Clare\'s sharp questions must I shun
Must separate Constance from the nun
Oh! what a tangled web we weave
When first we practise to deceive!
A Palmer too! No wonder why
I felt rebuked beneath his eye.[19]In 1809 Scott persuaded James Ballantyne and his brother to move to Edinburgh and to establish their printing press there. He became a partner in their business. As a political conservative,[20]Scott helped to found theToryQuarterly Review, a review journal to which he made several anonymous contributions. Scott was also a contributor to theEdinburgh Review, which espousedWhigviews.
Scott was ordained as anelderin the Presbyterian Church of Duddington and sat in theGeneral Assemblyfor a time as representative elder of the burgh of Selkirk.
When the lease of Ashestiel expired in 1811, Scott bought Cartley Hole Farm, on the south bank of the River Tweed nearerMelrose. The farm had the nickname of \"ClartyHole\", and when Scott built a family cottage there in 1812 he named it \"Abbotsford\". He continued to expand the estate, and builtAbbotsford Housein a series of extensions.[5]
In 1813 Scott was offered the position ofPoet Laureate. He declined, due to concerns that \"such an appointment would be a poisoned chalice\", as the Laureateship had fallen into disrepute, due to the decline in quality of work suffered by previous title holders, \"as a succession of poetasters had churned out conventional and obsequious odes on royal occasions.\"[21]He sought advice from theDuke of Buccleuch, who counseled him to retain his literary independence, and the position went to Scott\'s friend,Robert Southey.[22]
Novelism[edit]A Legend of Montrose, illustration from the 1872 editionAlthough Scott had attained worldwide celebrity through his poetry, he soon tried his hand at documenting his researches into the oral tradition of the Scottish Borders in prose fiction—stories and novels—at the time still considered aesthetically inferior to poetry (above all to such classicalgenresas the epic or poetic tragedy) as amimeticvehicle for portraying historical events. In an innovative and astute action, he wrote and published hisfirst novel,Waverley, anonymously in 1814. It was a tale of theJacobite risingof 1745. Its English protagonist, Edward Waverley, likeDon Quixotea great reader of romances, has been brought up by his Tory uncle, who is sympathetic toJacobitism, although Edward\'s own father is a Whig. The youthful Waverley obtains a commission in the Whig army and is posted inDundee. On leave, he meets his uncle\'s friend, the Jacobite Baron Bradwardine and is attracted to the Baron\'s daughter Rose. On a visit to the Highlands, Edward overstays his leave and is arrested and charged with desertion but is rescued by the Highland chieftain Fergus MacIvor and his mesmerizing sister Flora, whose devotion to the Stuart cause, \"as it exceeded her brother\'s in fanaticism, excelled it also in purity\". Through Flora, Waverley meetsBonnie Prince Charlie, and under her influence goes over to the Jacobite side and takes part in theBattle of Prestonpans. He escapes retribution, however, after saving the life of a Whig colonel during the battle. Waverley (whose surname reflects his divided loyalties) eventually decides to lead a peaceful life of establishment respectability under theHouse of Hanoverrather than live as a proscribed rebel. He chooses to marry the beautiful Rose Bradwardine, rather than cast his lot with thesublimeFlora MacIvor, who, after the failure of the \'45 rising, retires to a French convent.
There followed a succession of novels over the next five years, each with a Scottish historical setting. Mindful of his reputation as a poet, Scott maintained the anonymity he had begun withWaverley, publishing the novels under the name \"Author of Waverley\" or as \"Tales of...\" with no author. Among those familiar with his poetry, his identity became an open secret, but Scott persisted in maintaining the façade, perhaps because he thought his old-fashioned father would disapprove of his engaging in such a trivial pursuit as novel writing. During this time Scott became known by the nickname \"The Wizard of the North\". In 1815 he was given the honour of dining withGeorge, Prince Regent, who wanted to meet the \"Author of Waverley\".
\"Edgar and Lucie at Mermaiden\'s well\" by Charles Robert Leslie (1886), after Sir Walter Scott\'sBride of Lammermoor. Lucie is wearing afull plaid.Scott\'s 1819 seriesTales of my Landlordis sometimes considered a subset of theWaverleynovels and was intended to illustrate aspects of Scottish regional life. Among the best known isThe Bride of Lammermoor, a fictionalized version of an actual incident in the history of theDalrymplefamily that took place in theLammermuir Hillsin 1669. In the novel, Lucie Ashton and the nobly born but now dispossessed and impoverished Edgar Ravenswood exchange vows. But the Ravenswoods and the wealthy Ashtons, who now own the former Ravenswood lands, are enemies, and Lucie\'s mother forces her daughter to break her engagement to Edgar and marry the wealthy Sir Arthur Bucklaw. Lucie falls into a depression and on their wedding night stabs the bridegroom, succumbs to insanity, and dies. In 1821, French Romantic painterEugène Delacroixpainted a portrait depicting himself as the melancholy, disinherited Edgar Ravenswood. The prolonged, climacticcoloraturamad scene for Lucia inDonizetti\'s 1835bel cantooperaLucia di Lammermooris based on what in the novel were just a few bland sentences.
Tales of my Landlordincludes the now highly regarded novelOld Mortality, set in 1679–89 against the backdrop of the ferocious anti-Covenanting campaign of the ToryGraham of Claverhouse, subsequently made Viscount Dundee (called \"Bluidy Clavers\" by his opponents but later dubbed \"Bonnie Dundee\" by Scott). The Covenanters werepresbyterianswho had supported theRestoration of Charles IIon promises of a Presbyterian settlement, but he had instead reintroducedEpiscopalian church governmentwith draconian penalties for Presbyterian worship. This led to the destitution of around 270 ministers who had refused to take an oath of allegiance and submit themselves to bishops, and who continued to conduct worship among a remnant of their flock in caves and other remote country spots. The relentless persecution of these conventicles and attempts to break them up by military force had led to open revolt. The story is told from the point of view of Henry Morton, a moderate Presbyterian, who is unwittingly drawn into the conflict and barely escapes summary execution. In writingOld MortalityScott drew upon the knowledge he had acquired from his researches into ballads on the subject forThe Minstrelsy of the Scottish Border.[23]Scott\'s background as a lawyer also informed his perspective, for at the time of the novel, which takes place before theAct of Union of 1707, English law did not apply in Scotland, and afterwards Scotland has continued to have its ownScots lawas a hybrid legal system. A recent critic, who is a legal as well as a literary scholar, argues thatOld Mortalitynot only reflects the dispute between Stuart\'sabsolute monarchyand the jurisdiction of the courts, but also invokes a foundational moment in British sovereignty, namely, theHabeas Corpus Act(also known as theGreat Writ), passed by theEnglish Parliamentin 1679.[24]Oblique reference to the origin ofHabeas corpusunderlies Scott\'s next novel,Ivanhoe, set during the era of the creation of theMagna Carta, which political conservatives like Walter Scott andEdmund Burkeregarded as rooted in immemorial British custom and precedent.
Ivanhoe(1819), set in 12th-century England, marked a move away from Scott\'s focus on the local history of Scotland. Based partly onHume\'sHistory of Englandand the ballad cycle ofRobin Hood,Ivanhoewas quickly translated into many languages and inspired countless imitations and theatrical adaptations.Ivanhoedepicts the cruel tyranny of the Norman overlords (Norman Yoke) over the impoverished Saxon populace of England, with two of the main characters, Rowena and Locksley (Robin Hood), representing the dispossessed Saxon aristocracy. When the protagonists are captured and imprisoned by a Norman baron, Scott interrupts the story to exclaim:
It is grievous to think that those valiant barons, to whose stand against the crown the liberties of England were indebted for their existence, should themselves have been such dreadful oppressors, and capable of excesses contrary not only to the laws of England, but to those of nature and humanity. But, alas...fiction itself can hardly reach the dark reality of the horrors of the period. (Chapter 24.33)
The institution of theMagna Carta, which happens outside the time frame of the story, is portrayed as a progressive (incremental) reform, but also as a step towards the recovery of a lost golden age of liberty endemic to England and the English system. Scott puts a derisive prophecy in the mouth of the jester Wamba:
Norman saw on English oak.
On English neck a Norman yoke;
Norman spoon to English dish,
And England ruled as Normans wish;
Blithe world in England never will be more,
Till England\'s rid of all the four. (Ivanhoe, Ch. xxvii)Although on the surface an entertaining escapist romance, alert contemporary readers would have quickly recognised the political subtext ofIvanhoe, which appeared immediately after the English Parliament, fearful of French-style revolution in the aftermath ofWaterloo, had passed theHabeas Corpus Suspension acts of 1817 and 1818and other extremely repressive measures, and when traditional English Charter rights versus revolutionary human rights was a topic of discussion.[25]
Ivanhoewas also remarkable in its sympathetic portrayal of Jewish characters: Rebecca, considered by many critics the book\'s real heroine, does not in the end get to marry Ivanhoe, whom she loves, but Scott allows her to remain faithful to her own religion, rather than having her convert to Christianity. Likewise, her father, Isaac of York, a Jewish moneylender, is shown as a victim rather than a villain. InIvanhoe, which is one of Scott\'s Waverley novels, religious and sectarian fanatics are the villains, while theeponymoushero is a bystander who must weigh the evidence and decide where to take a stand. Scott\'s positive portrayal of Judaism, which reflects his humanity and concern for religious toleration, also coincided with a contemporary movement for theEmancipation of the Jews in England.
Recovery of the Crown Jewels, baronetcy and ceremonial pageantry[edit]Rediscovering the \'lost\' Honours of Scotland in 1818George IV landing at Leith in 1822Scott\'s fame grew as his explorations and interpretations of Scottish history and society captured popular imagination. Impressed by this, the Prince Regent (the future George IV) gave Scott permission to conduct a search for the Crown Jewels (\"Honours of Scotland\"). During the years of the Protectorate underCromwellthe Crown Jewels had been hidden away, but had subsequently been used to crownCharles II. They were not used to crown subsequent monarchs, but were regularly taken to sittings of Parliament, to represent the absent monarch, until theAct of Union 1707. Thereafter, the honours were stored in Edinburgh Castle, but the large locked box in which they were stored was not opened for more than 100 years, and stories circulated that they had been \"lost\" or removed. In 1818, Scott and a small team of military men opened the box, and \"unearthed\" the honours from the Crown Room in the depths ofEdinburgh Castle. A grateful Prince Regent granted Scott the title ofbaronet,[26]and in March 1820 he received the baronetcy in London, becoming Sir Walter Scott, 1st Baronet.[27]
After George\'s accession to the throne, thecity council of Edinburghinvited Scott, at the King\'s behest, to stage-manage the 1822visit of King George IV to Scotland.[26]With only three weeks for planning and execution, Scott created a spectacular and comprehensive pageant, designed not only to impress the King, but also in some way to heal the rifts that had destabilised Scots society. He used the event to contribute to the drawing of a line under an old world that pitched his homeland into regular bouts of bloody strife. He, along with his \"production team\", mounted what in modern days could be termed aPRevent, in which the King was dressed intartan, and was greeted by his people, many of whom were also dressed in similar tartan ceremonial dress. This form of dress, proscribed after the 1745 rebellion against the English, became one of the seminal, potent and ubiquitous symbols of Scottish identity.[28]
In his novelKenilworth, Elizabeth I is welcomed to the castle of that name by means of an elaborate pageant, the details of which Scott was well qualified to itemize.
Much of Scott\'s autograph work shows an almost stream-of-consciousness approach to writing. He included little in the way of punctuation in his drafts, leaving such details to the printers to supply.[29]He eventually acknowledged in 1827 that he was the author of theWaverley Novels.[28]
Financial problems and death[edit]Sir Walter Scott\'s grave atDryburgh AbbeyIn 1825 a UK-widebanking crisisresulted in the collapse of the Ballantyne printing business, of which Scott was the only partner with a financial interest; the company\'s debts of£130,000 (equivalent to £9,800,000 in 2016) caused his very public ruin.[30]Rather than declare himselfbankrupt, or to accept any kind of financial support from his many supporters and admirers (including the king himself), he placed his house and income in a trust belonging to his creditors, and determined to write his way out of debt. He kept up his prodigious output of fiction, as well as producing a biography ofNapoleon Bonaparte, until 1831. By then his health was failing, but he nevertheless undertook a grand tour of Europe, and was welcomed and celebrated wherever he went. He returned to Scotland and, in September 1832, during the epidemic in Scotland that year, died oftyphus[31]at Abbotsford, the home he had designed and had built, near Melrose in the Scottish Borders. (His wife, Lady Scott, had died in 1826 and was buried as an Episcopalian.) Two Presbyterian ministers and one Episcopalian officiated at his funeral.[32]Scott died owing money, but his novels continued to sell, and the debts encumbering his estate were discharged shortly after his death.[30]
Personal life[edit]Scott\'s eldest son, Lt Walter Scott, inherited his father\'s estate and possessions. He married Jane Jobson, only daughter of William Jobson ofLochore(died 1822) and his wife Rachel Stuart (died 1863), on 3 February 1825.[33]
Scott, Sr.\'s lawyer from at least 1814 was Hay Donaldson WS (died 1822), who was also agent to the Duke of Buccleuch. Scott was Donaldson\'s proposer when he was elected a Fellow of theRoyal Society of Edinburgh.[34]
His distant cousin was the poetRandall Swingler.
Abbotsford[edit]Abbotsford HouseTomb of Walter Scott, in Dryburgh Abbey byHenry Fox Talbot, 1844When Scott was a boy, he sometimes travelled with his father from Selkirk to Melrose, where some of his novels are set. At a certain spot the old gentleman would stop the carriage and take his son to a stone on the site of theBattle of Melrose(1526).[35]
During the summers from 1804, Scott made his home at the large house of Ashestiel, on the south bank of the River Tweed 6 miles (9.7km) north of Selkirk. When his lease on this property expired in 1811, Scott bought Cartley Hole Farm, downstream on the Tweed nearer Melrose. The farm had the nickname of \"ClartyHole\", and when Scott built a family cottage there in 1812 he named it \"Abbotsford\". He continued to expand the estate, and built Abbotsford House in a series of extensions.[5]The farmhouse developed into a wonderful home that has been likened to a fairy palace. Scott was a pioneer of the Scottish Baronial style of architecture, therefore Abbotsford is festooned with turrets and stepped gabling. Through windows enriched with the insignia of heraldry the sun shone on suits of armour, trophies of the chase, a library of more than 9,000 volumes, fine furniture, and still finer pictures. Panelling of oak and cedar and carved ceilings relieved by coats of arms in their correct colours added to the beauty of the house.[36][verification needed]
It is estimated that the building cost Scott more than £25,000 (equivalent to £1,900,000 in 2016). More land was purchased until Scott owned nearly 1,000 acres (4.0km2). A Roman road with a ford near Melrose used in olden days by the abbots of Melrose suggested the name of Abbotsford. Scott was buried inDryburgh Abbey, where his wife had earlier been interred. Nearby is a large statue ofWilliam Wallace, one of Scotland\'s many romanticised historical figures.[37]Abbotsford later gave its name to theAbbotsford Club, founded in 1834 in memory of Sir Walter Scott.[38]
Legacy[edit]Part ofthe Politics topics[show]People[hide]- Robert Filmer
- 1st Earl of Clarendon
- Roger L\'Estrange
- 1st Earl of Rochester
- 1st Viscount Bolingbroke
- 3rd Earl of Bute
- 1st Duke of Wellington
- Walter Scott
- Stanley Baldwin
- G. K. Chesterton
- Winston Churchill
- Enoch Powell
- George Grant
- v
- t
- e
Although he continued to be extremely popular and widely read, both at home and abroad,[39]Scott\'s critical reputation declined in the last half of the 19th century as serious writers turned from romanticism to realism, and Scott began to be regarded as an author suitable for children. This trend accelerated in the 20th century. For example, in his classic studyAspects of the Novel(1927),E. M. Forsterharshly criticized Scott\'s clumsy and slapdash writing style, \"flat\" characters, and thin plots. In contrast, the novels of Scott\'s contemporaryJane Austen, once appreciated only by the discerning few (including, as it happened, Scott himself) rose steadily in critical esteem, though Austen, as a female writer, was still faulted for her narrow (\"feminine\") choice of subject matter, which, unlike Scott, avoided the grand historical themes traditionally viewed as masculine.
Nevertheless, Scott\'s importance as an innovator continued to be recognized. He was acclaimed as the inventor of the genre of the modernhistorical novel(which others trace toJane Porter, whose work in the genre predates Scott\'s) and the inspiration for enormous numbers of imitators and genre writers both in Britain and on the European continent. In the cultural sphere, Scott\'s Waverley novels played a significant part in the movement (begun withJames Macpherson\'sOssiancycle) in rehabilitating the public perception of theScottish Highlandsand its culture, which had been formerly suppressed as barbaric, and viewed in the southern mind as a breeding ground of hill bandits, religious fanaticism, andJacobite rebellions. Scott served as chairman of theRoyal Society of Edinburghand was also a member of theRoyal Celtic Society. His own contribution to the reinvention of Scottish culture was enormous, even though his re-creations of the customs of theHighlandswere fanciful at times, despite his extensive travels around his native country. It is a testament to Scott\'s contribution in creating a unified identity for Scotland that Edinburgh\'s central railway station, opened in 1854 by theNorth British Railway, is calledWaverley. The fact that Scott was aLowlandPresbyterian, rather than a Gaelic-speaking Catholic Highlander, made him more acceptable to a conservative English reading public. Scott\'s novels were certainly influential in the making of the Victorian craze for all things Scottish among British royalty, who were anxious to claim legitimacy through their rather attenuated historical connection with the royal house of Stuart.[citation needed]
At the time Scott wrote, Scotland was poised to move away from an era of socially divisive clan warfare to a modern world of literacy and industrial capitalism. Through the medium of Scott\'s novels, the violent religious and political conflicts of the country\'s recent past could be seen as belonging to history—which Scott defined, as the subtitle ofWaverley(\"\'Tis Sixty Years Since\") indicates, as something that happened at least 60 years ago. Scott\'s advocacy of objectivity and moderation and his strong repudiation of political violence on either side also had a strong, though unspoken, contemporary resonance in an era when many conservative English speakers lived in mortal fear of a revolution in the French style on British soil. Scott\'s orchestration ofKing George IV\'s visit to Scotland, in 1822, was a pivotal event intended to inspire a view of his home country that, in his view, accentuated the positive aspects of the past while allowing the age of quasi-medieval blood-letting to be put to rest, while envisioning a more useful, peaceful future.
After Scott\'s work had been essentially unstudied for many decades, a revival of critical interest began from the 1960s.Postmoderntastes favoured discontinuous narratives and the introduction of the \"first person\", yet they were more favourable to Scott\'s work than Modernist tastes. WhileF. R. Leavishad disdained Scott, seeing him as a thoroughly bad novelist and a thoroughly bad influence (The Great Tradition[1948]),György Lukács(The Historical Novel[1937, trans. 1962]) andDavid Daiches(Scott\'s Achievement as a Novelist[1951]) offered a Marxian political reading of Scott\'s fiction that generated a great deal of genuine interest in his work. Scott is now seen as an important innovator and a key figure in the development of Scottish and world literature, and particularly as the principal inventor of the historical novel.[40]
Memorials and commemoration[edit]TheScott Monumenton Edinburgh\'sPrinces StreetStatue bySir John Steellon theScott Monumentin EdinburghScott Monument in Glasgow\'sGeorge SquareStatue on the Glasgow monumentDuring his lifetime, Scott\'s portrait was painted by SirEdwin Landseerand fellow Scots SirHenry RaeburnandJames Eckford Lauder. In Edinburgh, the 61.1-metre-tallVictorian Gothicspire of theScott Monumentwas designed byGeorge Meikle Kemp. It was completed in 1844, 12 years after Scott\'s death, and dominates the south side ofPrinces Street. Scott is also commemorated on a stone slab inMakars\' Court, outside The Writers\' Museum,Lawnmarket, Edinburgh, along with other prominent Scottish writers; quotes from his work are also visible on theCanongateWall of theScottish Parliament buildinginHolyrood. There is a tower dedicated to his memory onCorstorphine Hillin the west of the city and, as mentioned, Edinburgh\'s Waverley railway station takes its name from one of his novels.
InGlasgow,Walter Scott\'s Monumentdominates the centre ofGeorge Square, the main public square in the city. Designed byDavid Rhindin 1838, the monument features a large column topped by a statue of Scott.[41]There is a statue of Scott inNew York City\'sCentral Park.[42]
Numerous Masonic Lodges have been named after him and his novels. For example: Lodge Sir Walter Scott, No. 859 (Perth, Australia) and Lodge Waverley, No. 597 (Edinburgh, Scotland).[43]
The annualWalter Scott Prize for Historical Fictionwas created in 2010 by theDuke and Duchess of Buccleuch, whose ancestors were closely linked to Sir Walter Scott. At £25,000, it is one of the largest prizes in British literature. The award has been presented at Scott\'s historic home, Abbotsford House.
Scott has been credited with rescuing theScottish banknote. In 1826, there was outrage in Scotland at the attempt ofParliamentto prevent the production of banknotes of less than five pounds. Scott wrote a series of letters to theEdinburgh Weekly Journalunder the pseudonym \"Malachi Malagrowther\" for retaining the right of Scottish banks to issue their own banknotes. This provoked such a response that the Government was forced to relent and allow the Scottish banks to continue printing pound notes. This campaign is commemorated by his continued appearance on the front of all notes issued by theBank of Scotland. The image on the 2007 series of banknotes is based on the portrait byHenry Raeburn.[44]
During and immediately after World War I there was a movement spearheaded byPresident Wilsonand other eminent people toinculcate patriotism in American school children, especially immigrants, and to stress the American connection with the literature and institutions of the \"mother country\" of Great Britain, using selected readings in middle school textbooks.[45]Scott\'sIvanhoecontinued to be required reading for many American high school students until the end of the 1950s.
A bust of Scott is in the Hall of Heroes of theNational Wallace MonumentinStirling.
Literature by other authors[edit]InCharles Baudelaire\'sLa Fanfarlo(1847), poet Samuel Cramer says of Scott:
Oh that tedious author, a dusty exhumer of chronicles! A fastidious mass of descriptions of bric-a-brac... and castoff things of every sort, armor, tableware, furniture, gothic inns, and melodramatic castles where lifeless mannequins stalk about, dressed in leotards.
In the novella, however, Cramer proves as deluded a romantic as any hero in one of Scott\'s novels.[46]
InAnne Brontë\'sThe Tenant of Wildfell Hall(1848) the narrator, Gilbert Markham, brings an elegantly bound copy ofMarmionas a present to the independent \"tenant of Wildfell Hall\" (Helen Graham) whom he is courting, and is mortified when she insists on paying for it.
In a speech delivered at Salem, Massachusetts, on 6 January 1860, to raise money for the families of the executed abolitionistJohn Brownand his followers,Ralph Waldo Emersoncalls Brown an example of true chivalry, which consists not in noble birth but in helping the weak and defenseless and declares that \"Walter Scott would have delighted to draw his picture and trace his adventurous career\".[47]
In his 1870 memoir,Army Life in a Black Regiment, New England abolitionistThomas Wentworth Higginson(later editor ofEmily Dickinson), described how he wrote down and preserved Negro spirituals or \"shouts\" while serving as a colonel in theFirst South Carolina Volunteers, the first authorized Union Army regiment recruited from freedmen during the Civil War (memorialized in the 1989 filmGlory). He wrote that he was \"a faithful student of the Scottish ballads, and had always envied Sir Walter the delight of tracing them out amid their own heather, and of writing them down piecemeal from the lips of aged crones\".
According to his daughterEleanor, Scott was \"an author to whomKarl Marxagain and again returned, whom he admired and knew as well as he did Balzac and Fielding\".[48]
In his 1883Life on the Mississippi,Mark Twainsatirized the impact of Scott\'s writings, declaring (with humorous hyperbole) that Scott \"had so large a hand in making Southern character, as it existed before the[American Civil] war\", that he is \"in great measure responsible for the war\".[49]He goes on to coin the term \"Sir Walter Scott disease\", which he blames for the South\'s lack of advancement. Twain also targeted Scott inAdventures of Huckleberry Finn, where he names a sinking boat the \"Walter Scott\" (1884); and, inA Connecticut Yankee in King Arthur\'s Court(1889), the main character repeatedly utters \"great Scott\" as an oath; by the end of the book, however, he has become absorbed in the world of knights in armor, reflecting Twain\'s ambivalence on the topic.
The idyllic Cape Cod retreat of suffragists Verena Tarrant and Olive Chancellor in Henry James\'The Bostonians(1886) is called Marmion, evoking what James considered the Quixotic idealism of these social reformers.
InTo the LighthousebyVirginia Woolf, Mrs. Ramsey glances at her husband:
He was reading something that moved him very much... He was tossing the pages over. He was acting it – perhaps he was thinking himself the person in the book. She wondered what book it was. Oh, it was one of old Sir Walter’s she saw, adjusting the shade of her lamp so that the light fell on her knitting. For Charles Tansley had been saying (she looked up as if she expected to hear the crash of books on the floor above) that people don’t read Scott any more. Then her husband thought, “That’s what they’ll say of me;” so he went and got one of those books... [Scott\'s] feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit’s cottage [inThe Antiquary] made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears... It fortified him. He clean forgot all the little rubs and digs of the evening... and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn’t exist at all. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott’s hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie’s drowning and Mucklebackit’s sorrow (that was Scott at his best) and the astonishing delight and feeling of vigor that it gave him. Well, let them improve upon that, he thought as he finished the chapter... The whole of life did not consist in going to bed with a woman, he thought, returning to Scott and Balzac, to the English novel and the French novel.
In 1951, science-fiction authorIsaac AsimovwroteBreeds There a Man...?, a short story with a title alluding vividly to Scott\'sThe Lay of the Last Minstrel(1805).
InTo Kill a Mockingbird(1960), the protagonist\'s brother is made to read Walter Scott\'s bookIvanhoeto the ailing Mrs. Henry Lafayette Dubose, and he refers to the author as \"Sir Walter Scout\", in reference to his own sister\'s nickname.
InMother Night(1961) byKurt VonnegutJr.,memoiristand playwright Howard W. Campbell Jr. prefaces his text with the six lines beginning \"Breathes there the man...\"
InKnights of the Sea(2010) by Canadian authorPaul Marlowe, there are several quotes from and references toMarmion, as well as an inn named afterIvanhoe, and a fictitious Scott novel entitledThe Beastmen of Glen Glammoch.
Bibliography[edit]Sir Walter Scott byRobert Scott Moncrieff.Novels[edit]TheWaverley Novelsis the title given to the long series of Scott novels released from 1814 to 1832 which takes its name from the first novel,Waverley. The following is a chronological list of the entire series:
- 1814:Waverley
- 1815:Guy Mannering
- 1816:The Antiquary
- 1816:The Black DwarfandThe Tale of Old Mortality– the 1st installment from the subset series,Tales of My Landlord
- 1817:Rob Roy
- 1818:The Heart of Midlothian– the 2nd installment from the subset series,Tales of My Landlord
- 1819:The Bride of LammermoorandA Legend of Montrose– the 3rd installment from the subset series,Tales of My Landlord
- 1820:Ivanhoe
- 1820:The MonasteryandThe Abbot– from the subset series,Tales from Benedictine Sources
- 1821:Kenilworth
- 1822:The Pirate
- 1822:The Fortunes of Nigel
- 1822:Peveril of the Peak
- 1823:Quentin Durward
- 1824:St. Ronan\'s Well
- 1824:Redgauntlet
- 1825:The BetrothedandThe Talisman– from the subset series,Tales of the Crusaders
- 1826:Woodstock
- 1828:The Fair Maid of Perth– the 2nd installment from the subset series,Chronicles of the Canongate(sometimes not considered as part of theWaverley Novelsseries)
- 1829:Anne of Geierstein
- 1832:Count Robert of ParisandCastle Dangerous– the 4th installment from the subset series,Tales of My Landlord
Other novels:
- 1831–1832:The Siege of Malta– a finished novel published posthumously in 2008
- 1832:Bizarro– an unfinished novel (or novella) published posthumously in 2008
Many of the short poems or songs released by Scott (or later anthologized) were originally not separate pieces but parts of longer poems interspersed throughout his novels, tales, and dramas.
- 1796: \"The Chase\" – anEnglish-languagetranslation of theGerman-languagepoem byGottfried August Bürgerentitled \"Der Wilde Jäger\" (or, \"The Wild Huntsmen\", its more common English translation), first of thetranslations and imitations from German ballads by Scott
- 1802–1803:The Minstrelsy of the Scottish Border
- 1805:The Lay of the Last Minstrel
- 1806:Ballads and Lyrical Pieces
- 1808:Marmion
- 1810:The Lady of the Lake
- 1811:The Vision of Don Roderick
- 1813:The Bridal of Triermain
- 1813:Rokeby
- 1815:The Field of Waterloo
- 1815:The Lord of the Isles
- 1817:Harold the Dauntless
- 1827: \"The Highland Widow\", \"The Two Drovers\", and \"The Surgeon\'s Daughter\" – the 1st installment from the seriesChronicles of the Canongate
- 1828: \"My Aunt Margaret\'s Mirror\", \"The Tapestried Chamber\", and \"Death of the Laird\'s Jock\" – from the seriesThe Keepsake Stories
- 1799:Goetz of Berlichingen, with the Iron Hand: A Tragedy– an English-language translation of the 1773 German-language play byJohann Wolfgang von GoetheentitledGötz von Berlichingen
- 1822:Halidon Hill
- 1823:MacDuff\'s Cross
- 1830:The Doom of Devorgoil
- 1796Translations & imitations of German BalladsLibrivox audio
- 1814–1817:The Border Antiquities of England and Scotland– a work co-authored byLuke ClennellandJohn Greigwith Scott\'s contribution consisting of the substantial introductory essay, originally published in 2 volumes from 1814 to 1817
- 1815–1824:Essays on Chivalry, Romance, and Drama– a supplement to the 1815–1824 editions of theEncyclopædia Britannica
- 1816:Paul\'s Letters to his Kinsfolk
- 1819–1826:Provincial Antiquities of Scotland
- 1821–1824:Lives of the Novelists
- 1825–1832:The Journal of Sir Walter Scott
- 1826:The Letters of Malachi Malagrowther
- 1827:The Life of Napoleon Buonaparte
- 1828:Religious Discourses
- 1828:Tales of a Grandfather; Being Stories Taken from Scottish History– the 1st installment from the series,Tales of a Grandfather
- 1829:The History of Scotland: Volume I
- 1829:Tales of a Grandfather; Being Stories Taken from Scottish History– the 2nd installment from the series,Tales of a Grandfather
- 1830:Essays on Ballad Poetry
- 1830:The History of Scotland: Volume II
- 1830:Tales of a Grandfather; Being Stories Taken from Scottish History– the 3rd installment from the series,Tales of a Grandfather
- 1830:Letters on Demonology and Witchcraft
- 1831:Tales of a Grandfather; Being Stories Taken from the History of France– the 4th installment from the series,Tales of a Grandfather
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