Lot of 2 JOURNEY S/T & Look Into The Future VG+ Rolie Schon Dunbar Tickner Valor

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Lot of 2 JOURNEY S/T & Look Into The Future VG+ Rolie Schon Dunbar Tickner Valor:
$17.99

Vinyls: S/T Vinyl VG+. Play tested . Sounds great! Labels are clean. This is the original Columbia 1975 1st Pressing! \"Look Into The Future\" VG+ Play Tested. Sounds Great! Labels are Clean except for some light pen and stamp marks that don\'t obscure the printing on the label. This is the Original 1976 Columbia 1st Pressing! These are the 2 first LPs by Journey before Steven Perry completely altered their Sound. Hear Journey as God intended them to sound: Unhinged Psychedelic Prog Rock!!
Covers: S/T VG/VG+ (see photos; some ring wear; Look Into The Future has some writing and marks on the rear cover; S/T has tape on the bottom edge)
Goldmine Standards. I play test every album that I sell on as I have found you can\'t rate an LP accurately by just visually inspecting an album. I also wipe the dust off of every cover with clean, unscented baby wipes and professionally clean the vinyl.
See Reviews Below!U.S. Shipping: $4 Media Mail for up to 2 LP\'s. Additional LP\'s .50 (double albums count for 2LP\'s). I will only ship to Italy by Registered Mail. Rest of World, ask for cost of shipping before buying. I only pass on to you my cost to get it to you. Similarly, upgrades and insurance can be added on at Buyers\' expense. Feel free to ask any questions and happy shopping!
Once you\'re satisfied with your purchase, please leave positive response and I will do the same for you. If you\'re unsatisfied, please let me know so we can resolve it. Take a look at my previous response and buy with confidence. Check my other items this week, check back often & add me to favorite seller list as I will be adding more Rare items in the coming weeks! Thanks!Still very much a fusion band, you could hear they were starting to look for a little more commercial possibility. On a Saturday Nite is a great track and if you search YouTube you can find performances with Steve Perry singing a co Lead Vocal, which elevates it even further (take heed to the name drop, Steve is NOT on this original version, which is nevertheless fantastic). Journey toured with Kansas in this time period. Want to know where one of the signature riffs for one of the greatest rock songs in history (Carry On Wayward Son) came from? Ask Journey. Or listen to the final track, \"I\'m gonna leave you.\" Kerry Livgren asked them and they said Yes, btw. The title track is a great ethereal, spiritual track, also a standout.Journey\'s self-titled 1975 debut album stands as a watershed in the annals of jazz fusion and progressive rock. Released before the rise of the Steve Perry reign, this highly eclectic presentation mixes melodic rock (with all vocals done by keyboardist Gregg Rolie) with almost futuristic instrumental pieces; the song \"To Play Some Music\" starts off as a simple, almost gospel-like song but then accelerates into a rapid voyage through space and time. \"Kohoutek\" is a driving hard instrumental track that\'s both earthbound and cosmic; think of the British superhero comic Miracleman set to music. \"Mystery Mountain,\" the final track on the album, is a quasi-mystical, almost Biblical telling of the Earth\'s creation as depicted in the Book of Genesis. Two more instrumentals of note are \"Topaz\" by rhythm guitarist George Tickner (in his only recorded appearance with Journey; he quit after the album\'s release) and the more subdued \"Conversations\" by bassist Ross Valory; both showcase more of Journey\'s early knack for jazz fusion/prog-rock improvisation, which didn\'t sit well with Columbia Records. The lyrics for the tracks \"Of A Lifetime,\" \"In The Morning Day,\" and \"In My Lonely Feeling\" (mostly written by Gregg Rolie) reflect life on the road as a perpetual touring machine; these thoughts ultimately led to Rolie\'s abrupt resignation from Journey in 1980 even as Steve Perry gained gradual creative control of the band, which in 1981 was completed by Gregg\'s replacement, former Babys keyboardist Jonathan Cain.