Martin Hardie Framed & Matted Etching Landscape With Trees c 1930s -40s

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Martin Hardie Framed & Matted Etching Landscape With Trees c 1930s -40s:
$40.00

Farmed and matted original etching of a Landscape Field with Trees by Martin Hardie. Etching is signed at lower right margin and noted at left: \"1st State\" in pencil. Dimensions are: full 12\" X 11 & 1/2\", image - 4 & 3/4\" X 4\". Condition is VG++. Very mild paper toning otherwise clean and crisp, no damage. Buyer pays economy shipping etc. Please read check out instructions before making payment. Satisfaction guaranteed.

Hardie, Martin

Date born: 1875

Place born: Pancras (area) London, United Kingdom

Date died: 1952

Place died: Tonbridge, United Kingdom

Keeper (Curator) of prints and drawings at the Victoria and Albert Museum, 1921-1935; bibliophile. Hardie was the son of James Hardie, a headmaster at Linton House, a grammar school in London, and Marion Pettie. He attended Linton House and then St Paul\'s School, London, were he won prizes for drawing. In 1895 Hardie entered Trinity College, Cambridge, graduating in1898. He joined the South Kensington Museum (later Victoria and Albert Museum) working in the library. He married Agnes Madeline Pattisson (b. 1876/7) in 1903. The same year he wrote the catalog to the V&A\'s print collection in the National Art Library. In 1906 he translated the German history of engraving written by Friedrich Lippmann (q.v.) and Max Lehrs (q.v.) asEngraving and Etching. He also publishedEnglish Coloured Booksthe same year. During this time, the Royal College of Art was housed in Museum and Hardie studied etching under the academician Sir Frank Short (1857-1945). Hardie issued a small monograph on the work of John Pettie in 1908. He became assistant keeper in 1914. During World War I he served in the army rising to the rank of captain. In 1918 he published a book of his own drawings,Boulogne, a Base in France, being thirty-two Drawing from the Sketch Book of Capt. Martin Hardie. He returned to the Museum after the war and authored a second catalog of the library\'s graphics, this one on contemporary wood-engravers, in 1919. Attuned to the Museum\'s mission of popular culture and education, he created an exhibition of posters from the war in 1920. In 1921 he was appointed keeper of the departments of painting, engraving, illustration, and design. There he issued hisBritish School of Etchersthe same year. During his years as keeper, Hardie built the graphics collection into one of the finest in England, particularly in contemporary prints. He mounted an exhibition of Samuel Palmer (1805-1881) in 1927, resurrecting the artist to national prominence again. A catalog on Charles Meryon in 1931. Hiscatalogue raisonnéof the work of W. Lee-Hankey appeared in 1921. After retiring from the Museum in 1935 he received the third class of the Order of the British Empire, Commander of the British Empire, or C. B. E.A Sketch-Book of Thomas Girtinwas written for the Walpole Society in 1939. During the Second World War Hardie was an air raid warden. In 1943 he became an honorary member of the Royal Watercolour Society. Hardie wrote the three-volumeWater-colour Painting in Britain. It appeared posthumously beginning in 1966. His personal artistic output included nearly 200 prints and twenty-five sketchbooks. He died at home in Tonbridge, England. His uncle was the artist John Pettie (1839�1893).