Marvel Comics Death\'s Head II & The Origin of Die Cut - Vol. 1, No 1, Aug 1993
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Marvel Comics Death\'s Head II & The Origin of Die Cut - Vol. 1, No 1, Aug 1993:
$5.00
Marvel Comics Death\'s Head II & The Origin of Die Cut Vol. 1, No 1, Aug 1993
Published by Marvel Comics UK Ltd.
Script: Glenn Dakin
Art: John Royle
Letters: Stuart Bartlett
Color: Sophie Heath
Editor: Jacqui Papp
Editor-in-Chief: Paul NearyBook is bagged & boarded.Most of the lettering in the name is a raised silver color. There is a signature on the cover but I can\'t read the entire name. It looks like fancy lettering for the first name shown so I can\'t read it but it shows - (?) & Andy!The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrasesRead More: The X-Files Cold Cases #7: \'Trepanning Opera\' | makes this an X-File is that the killer believes that they are somehow unstuck in time, and seems able to prove it. The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrases – one of which comes true, leaving the team scrambling to decode the rest of the letters any way they can.Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' | makes this an X-File is that the killer believes that they are somehow unstuck in time, and seems able to prove it. The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrases – one of which comes true, leaving the team scrambling to decode the rest of the letters any way they can.
Adlard is far less gory in this story than he was in last week’s Donor, drawing the victims with minimal blood in most cases and with a quiet smile that manages to outdo any one of the piles of bodies the Joker has accumulated over years of comics in terms of being disturbing. To be happy in death should be a good thing, but to be made happy during your murder is terrifying. Petrucha delivers an equally unsettling script, spending plenty of time behind the eyes of the killer as they walk the world with utter certainty about how it works – which is ironic, given how they came to that conclusion.
Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' | makes this an X-File is that the killer believes that they are somehow unstuck in time, and seems able to prove it. The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrases – one of which comes true, leaving the team scrambling to decode the rest of the letters any way they can.Adlard is far less gory in this story than he was in last week’s Donor, drawing the victims with minimal blood in most cases and with a quiet smile that manages to outdo any one of the piles of bodies the Joker has accumulated over years of comics in terms of being disturbing. To be happy in death should be a good thing, but to be made happy during your murder is terrifying. Petrucha delivers an equally unsettling script, spending plenty of time behind the eyes of the killer as they walk the world with utter certainty about how it works – which is ironic, given how they came to that conclusion.
Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' | makes this an X-File is that the killer believes that they are somehow unstuck in time, and seems able to prove it. The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrases – one of which comes true, leaving the team scrambling to decode the rest of the letters any way they can.Adlard is far less gory in this story than he was in last week’s Donor, drawing the victims with minimal blood in most cases and with a quiet smile that manages to outdo any one of the piles of bodies the Joker has accumulated over years of comics in terms of being disturbing. To be happy in death should be a good thing, but to be made happy during your murder is terrifying. Petrucha delivers an equally unsettling script, spending plenty of time behind the eyes of the killer as they walk the world with utter certainty about how it works – which is ironic, given how they came to that conclusion.
Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' | makes this an X-File is that the killer believes that they are somehow unstuck in time, and seems able to prove it. The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrases – one of which comes true, leaving the team scrambling to decode the rest of the letters any way they can.Adlard is far less gory in this story than he was in last week’s Donor, drawing the victims with minimal blood in most cases and with a quiet smile that manages to outdo any one of the piles of bodies the Joker has accumulated over years of comics in terms of being disturbing. To be happy in death should be a good thing, but to be made happy during your murder is terrifying. Petrucha delivers an equally unsettling script, spending plenty of time behind the eyes of the killer as they walk the world with utter certainty about how it works – which is ironic, given how they came to that conclusion.
Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' | makes this an X-File is that the killer believes that they are somehow unstuck in time, and seems able to prove it. The killer claims that all the world is something they dreamed up and that anyone they kill is being released from the dream, andsends letters describing future murders that are decoded with certain key phrases – one of which comes true, leaving the team scrambling to decode the rest of the letters any way they can.Adlard is far less gory in this story than he was in last week’s Donor, drawing the victims with minimal blood in most cases and with a quiet smile that manages to outdo any one of the piles of bodies the Joker has accumulated over years of comics in terms of being disturbing. To be happy in death should be a good thing, but to be made happy during your murder is terrifying. Petrucha delivers an equally unsettling script, spending plenty of time behind the eyes of the killer as they walk the world with utter certainty about how it works – which is ironic, given how they came to that conclusion.
Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' | More: The X-Files Cold Cases #7: \'Trepanning Opera\' | style=\"\" align=\"center\">In “Trepanning Opera,” Mulder and Scully pursue a more mundane (or seemingly mundane) case, with a serial killer who kills via trepanation; literally, a hole in the head, an ancient surgical technique meant to let out evil spirits, relieve pressure, and clean out debris embedded in the skull. It actually still sees use today – mostly on fingernails and toenails, to relieve the pain and pressure of blood welling up from a rupture beneath a nail.Read More: The X-Files Cold Cases #7: \'Trepanning Opera\' |
This book is in MINT condition, in my opinion. No markings, bent pages, spine shows no wear. The inside of the pages are in mint condition. I am not an expert & try to go according to the Comic Book Guide so please use your own judgement.
I rate my books according to the 2010 Comic Book Guide.
This book looks in mint condition to me, I am trying to go by the Comic Book Guide to give you as accurate a rating on the book as I can.
From a Smoke Free Home -
It is sealed nicely with a cardboard backing in plastic.
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Marvel Comics Death\'s Head II & The Origin of Die Cut - Vol. 1, No 1, Aug 1993:
$5.00