Original Aldo Vitaleh Twins Ballerina Bronze Statue Art Sculpture Dancer Figure

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Original Aldo Vitaleh Twins Ballerina Bronze Statue Art Sculpture Dancer Figure:
$179.95

Condition: This sculpture is in perfect condition.
Bronze Dimensions with Marble Base:Height14\" x Width9 1/2\"
Marble Dimensions: Diameter 5\" Height without base:11\"
Weight :9 LBS
Inventory : 29-ST0104992

This bronze sculpture ofthe female twins stands for the Gemini zodiac dual sign. Geminians are curious, versatile, talkativewith mental alacrity butbeing a dual sign has both an up and a down-side. Geminians have a very analytical mind seing both sides of the image. Geminians may like two things which may be opposite to each other. This is a sign ruled by the planet Mercury the fleet-footed messenger of the gods and is considered the \"Child of the Zodiac\" portraying youthful vitalty and an ardent curiousity for life. The Twins are seen in a graceful dance in the cosmos. Side to side and back to back of eachother they mirror eachothers dance moves in synchrony but stare out at different directions. They were cast using the age-old method of lost-wax casting and stained with a brown patina finish for preservation. They are mounted upon a black marble base with the artist Aldo Vitaleh\'s signature.

This item selling in Upscale Art Galleries and Museum galleries for up to $3500.00 - $4,200.00 when it can be found. This is a sophisticated Piece, perfect for any art lovers home, office, or place of business. Don\'t miss your opportunity to own this wonderful and rare piece, Buy it Now! offer with confidence.

Think Bronze, takes pride in our superb collection of museum quality Bronze Statues, handpicked from the finest artistry using old world standards around the globe. The attentions to the intricate details of these luxurious works of art are amazing and the brilliance of the figures unsurpassed.

From art Nuevo to art deco, wildlife nature to equestrian, classical to contemporary, religious to renascence or nude, you will find a remarkable assortment of diverse Art forms and sizes, coupled with undeniable values makes Think Bronze a fantasy playground for art collector and lover in you.

Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC.

This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.

These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting.

Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive\") duplicating the original sculpture.

This image must then be \"touched -up\" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.

The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible.

These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations.

After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called \"patches\" have been cut into the wax to allow an entrance to the inside of the form.

The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved.

As the sculpture cools the ceramic shell begins to pop away from the bronze.

This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away.

Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or \"chased\".

The sculpture is then polished in preparation for application of the patina.

The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes.

This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production.

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