SHODA KOHO Japanese Woodblock Print AUTUMN LEAVES 1930s

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SHODA KOHO Japanese Woodblock Print AUTUMN LEAVES 1930s:
$165.00

SHODA KOHO Japanese Woodblock Print AUTUMN LEAVES 1930s
SHODA KOHO
Autumnal Leaves near a Sluice Gate
from the series Japanese ScenesDate: 1920s by Hasegawa/Nishinomiya, with Nishinomiya publisher\'s seal in the right margin; listed as number 1111 in Hasegawa\'s 1930 catalog
Size: oban, 15.5\" X 10.25\"
Condition: VG, no flaws, uncirculated print, never framed
Impression: Fine, solid key lines, and tight registration
Color: Fine, saturated color and bleed through to verso
Provenance: from the Robert O. Muller estate (for more information please see below)A sluice gate is traditionally a wooden or metal plate which slides in grooves in the sides of the channel. Sluice gates are commonly used to control water levels and flow rates in rivers and canals.
WHO WAS ROBERT O. MULLER?
Robert O. Muller?s love affair with Japanese prints began one day in the 1930s, when as a student in New York City he spotted a Hasui in a gallery window, and immediately arranged to purchase the print. As a newly wed in 1940 he went on a print shopping tour to Japan with his wife where he met the shin hanga publisher Watanabe Shozaburo and Watanabe?s stable of artists including: Kawase Hasui, Shiro Kasamatsu, and Ito Shinsui. He also met and befriended Hiroshi Yoshida.

After WWII, Muller continued to deal in Japanese prints, but he was also an avid collector with a keen eye for good art. Although the Muller Collection is best known for shin hanga, Mr. Muller also collected late nineteenth century prints and good reproductions of famous Edo masters.

When Mr. Muller passed away on April 10, 2003, he had left possibly the largest and finest collection of 20th century Japanese prints in the world, and the question of what would become of his collection was a major topic among Japanese print collectors. The finest 20th century prints from his collection were given as a gift to the Sackler Gallery of the Smithsonian Institute in Washington D.C., and an exhibit was mounted. Other portions of the collection were sold at sale and still more remains with his heirs. Several books have been published about the collection.

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