Reviews
'The Ocean at the End of the Lane' is fun to read, filled with his trademarked blend of sinister whimsy. Gaiman's writing is like dangerous candy - you're certain there's ground glass somewhere, but it just tastes so good!, His prose is simple but poetic, his world strange but utterly believable-if he was South American we would call this magic realism rather than fantasy., Ocean has that nearly invisible prose that keeps the focus firmly on the storytelling, and not on the writing. . . . [T]his simple exterior hides something much more interesting; in the same way that what looks like a pond can really be an ocean., His prose is simple but poetic, his world strange but utterly believable--if he was South American we would call this magic realism rather than fantasy., 'The Ocean at the End of the Lane' is fun to read, filled with his trademarked blend of sinister whimsy. Gaiman's writing is like dangerous candy--you're certain there's ground glass somewhere, but it just tastes so good!, In Gaiman's latest romp through otherworldly adventure, a young boy discovers a neighboring family's supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky.", [A] story concerning the bewildering gulf between the innocent and the authoritative, the powerless and the powerful, the child and the adult. . . . Ocean is a novel to approach without caution; the author is clearly operating at the height of his career., 'Gaiman mines mythological typology--the three-foldgoddess, the water of life (the pond, actually an ocean)--and his own childhood milieu to build the cosmology and theater of a story he tells more gracefully than any he's told since Stardust ...[a] lovely yarn.' (Booklist (starred review) on OCEAN AT THE END OF THE LANE), His prose is simple but poetic, his world strange but utterly believable - if he was South American we would call this magic realism rather than fantasy., 'Remarkable . . . wrenchingly, gorgeously elegiac. . . . [I]n The Ocean at the End of the Lane, [Gaiman] summons up childhood magic and adventure while acknowledging their irrevocable loss, and he stitches the elegiac contradictions together so tightly that you won't see the seams.' (Star Tribune (Minneapolis) on THE OCEAN AT THE END OF THE LANE), Gaiman has crafted an achingly beautiful memoir of an imagination and a spellbinding story that sets three women at the center of everything. . . .[I]t's a meditation on memory and mortality, a creative reflection on how the defining moments of childhood can inhabit the worlds we imagine., The impotence of childhood is often the first thing sentimental adults forget about it; Gaiman is able to resurrect, with brutal immediacy, the abject misery of being unable to control one's own life., Remarkable . . . wrenchingly, gorgeously elegiac. . . . [I]n The Ocean at the End of the Lane, [Gaiman] summons up childhood magic and adventure while acknowledging their irrevocable loss, and he stitches the elegiac contradictions together so tightly that you won't see the seams., When I finally closed the last page of this slim volume it was with the realization that I'd just finished one of those uncommon perfect books that come along all too rarely in a reader's life., 'The Ocean at the End of the Lane' is fun to read, filled with his trademarked blend of sinister whimsy. Gaiman's writing is like dangerous candy-you're certain there's ground glass somewhere, but it just tastes so good!, His prose is simple but poetic, his world strange but utterly believable—if he was South American we would call this magic realism rather than fantasy., Gaiman mines mythological typology--the three-foldgoddess, the water of life (the pond, actually an ocean)--and his own childhood milieu to build the cosmology and theater of a story he tells more gracefully than any he's told since Stardust ...[a] lovely yarn., [W]orthy of a sleepless night . . . a fairy tale for adults that explores both innocence lost and the enthusiasm for seeing what's past one's proverbial fence . . . Gaiman is a master of creating worlds just a step to the left of our own., Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it's a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay., 'The Ocean at the End of the Lane' is fun to read, filled with his trademarked blend of sinister whimsy. Gaiman's writing is like dangerous candy—you're certain there's ground glass somewhere, but it just tastes so good!, In Gaiman's latest romp through otherworldly adventure, a young boy discovers a neighboring family's supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky., Mr. Gaiman labels [his novel] 'for all ages,' which is exactly right. It has grief, fear and regret, as well as love and awe-adult emotions, but children feel them too…. [L]ike all Mr. Gaiman's work, this is fantasy of the very best., [W]ry and freaky and finally sad. . . . This is how Gaiman works his charms. . . . He crafts his stories with one eye on the old world, on Irish folktales and Robin Hood and Camelot, and the other on particle physics and dark matter., '[A] compelling tale for all ages . . . entirely absorbing and wholly moving.'(New York Daily News on THE OCEAN AT THE END OF THE LANE), Ocean has that nearly invisible prose that keeps the focus firmly on the storytelling, and not on the writing. . . . This simple exterior hides something much more interesting; in the same way that what looks like a pond can really be an ocean.
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