Reviews
This learned, carefully pondered, and admirably lucid book combines some of the features of a scholarly monograph with those of a critical overview of Milton's greatest poem. ---David Hopkins, Milton Quarterly, "David Quint's elegant, learned, and nuanced study of Paradise Lost and its designs contains enormous riches. . . . It is a pleasure to read a critical book so sensitive to the rich poetic texture of Milton's work. Thanks to his substantial knowledge of early modern European literature and classical reception, Quint offers a wealth of fresh readings of the poem's allusions to classical and European epics, as well as to scriptural texts." ---David Loewenstein, Modern Language Quarterly, This learned, groundbreaking study illuminates the intricate narrative patterns that are woven into the fabric of Paradise Lost and demonstrates the poem's deeply allusive relationship to prior epic. . . . This book is necessary reading for Miltonists and scholars interested in the epic tradition. And the clear prose and carefully articulated arguments make it fully accessible and helpful to less experienced readers., David Quint's elegant, learned, and nuanced study of Paradise Lost and its designs contains enormous riches. . . . It is a pleasure to read a critical book so sensitive to the rich poetic texture of Milton's work. Thanks to his substantial knowledge of early modern European literature and classical reception, Quint offers a wealth of fresh readings of the poem's allusions to classical and European epics, as well as to scriptural texts. ---David Loewenstein, Modern Language Quarterly, "This learned, carefully pondered, and admirably lucid book combines some of the features of a scholarly monograph with those of a critical overview of Milton's greatest poem." --David Hopkins, Milton Quarterly, One of Choice 's Outstanding Academic Titles for 2014 Shortlisted for the 2015 Christian Gauss Award, Phi Beta Kappa Society, "As in a great lecture, Quint never roams far from the language of the poem and as the first half of the book moves through the poem chronologically, it would be a particularly useful guide for advanced undergraduates." --Elizabeth Scott-Baumann, Times Literary Supplement, "Quint proves a deeply engaging and illuminating guide to the designs, both large and small, of Milton's epic and his career. . . . Quint has a gift for pithy and apt eloquence. . . . There have been many fine books on Milton's epic and its relation to the long epic tradition, but none finer than Quint's." --Stephen M. Fallon, Modern Philology, "This is a comprehensive, freshly researched, and fully articulated reading of Paradise Lost as a whole. The results are revelatory. Astonishingly, some of Milton's unmistakable imitations of major predecessors are being cited here apparently for the first time. Quint's book is essential reading not only for Miltonists but also for scholars of comparative epic, the Renaissance's relation to the classics, and the classical tradition more generally. At the same time, the book's clear prose and careful analysis make it accessible to students." --Gordon Braden, University of Virginia, Quint proves a deeply engaging and illuminating guide to the designs, both large and small, of Milton's epic and his career. . . . Quint has a gift for pithy and apt eloquence. . . . There have been many fine books on Milton's epic and its relation to the long epic tradition, but none finer than Quint's. ---Stephen M. Fallon, Modern Philology, "As in a great lecture, Quint never roams far from the language of the poem and as the first half of the book moves through the poem chronologically, it would be a particularly useful guide for advanced undergraduates." ---Elizabeth Scott-Baumann, Times Literary Supplement, Some books matter for what they say, others for when they say it. Inside Paradise Lost matters for both these reasons, and especially for the latter. It is a timely aesthetic study which will be read and re-read by Milton scholars and students. It will be mined for its learning, discussed, challenged, and enjoyed. Literary studies will be so much the better for it. ---Leah Whittington, The Cambridge Quarterly, As in a great lecture, Quint never roams far from the language of the poem and as the first half of the book moves through the poem chronologically, it would be a particularly useful guide for advanced undergraduates. ---Elizabeth Scott-Baumann, Times Literary Supplement, "Some books matter for what they say, others for when they say it. Inside Paradise Lost matters for both these reasons, and especially for the latter. It is a timely aesthetic study which will be read and re-read by Milton scholars and students. It will be mined for its learning, discussed, challenged, and enjoyed. Literary studies will be so much the better for it." ---Leah Whittington, The Cambridge Quarterly, "Some books matter for what they say, others for when they say it. Inside Paradise Lost matters for both these reasons, and especially for the latter. It is a timely aesthetic study which will be read and re-read by Milton scholars and students. It will be mined for its learning, discussed, challenged, and enjoyed. Literary studies will be so much the better for it." --Leah Whittington, The Cambridge Quarterly, "This learned, groundbreaking study illuminates the intricate narrative patterns that are woven into the fabric of Paradise Lost and demonstrates the poem's deeply allusive relationship to prior epic. . . . This book is necessary reading for Miltonists and scholars interested in the epic tradition. And the clear prose and carefully articulated arguments make it fully accessible and helpful to less experienced readers." -- Choice, "David Quint's elegant, learned, and nuanced study of Paradise Lost and its designs contains enormous riches. . . . It is a pleasure to read a critical book so sensitive to the rich poetic texture of Milton's work. Thanks to his substantial knowledge of early modern European literature and classical reception, Quint offers a wealth of fresh readings of the poem's allusions to classical and European epics, as well as to scriptural texts." --David Loewenstein, Modern Language Quarterly, For its playful style and learned approach, readers will relish, as I did, the chance to return to originals newly brought to light, to attend to delicious intricacies of text, to quarrel, even, with findings. This is a bravura performance, a deeply learned book that should be read by students and scholars of Renaissance comparative literature, and those interested in classical reception, and will be required reading for Milton scholars and students. ---Sharon Achinstein, Renassiance Quarterly, Winner of the 2015 James Holly Hanford Award, The Milton Society of America One of Choice 's Outstanding Academic Titles for 2014 Shortlisted for the 2015 Christian Gauss Award, Phi Beta Kappa Society, "For its playful style and learned approach, readers will relish, as I did, the chance to return to originals newly brought to light, to attend to delicious intricacies of text, to quarrel, even, with findings. This is a bravura performance, a deeply learned book that should be read by students and scholars of Renaissance comparative literature, and those interested in classical reception, and will be required reading for Milton scholars and students." ---Sharon Achinstein, Renassiance Quarterly, "This magisterial study combines massive erudition with great interpretive subtlety. Written with lucidity and wit, Inside 'Paradise Lost' provides an indispensable revisionary account of the Miltonic epic's relation to its epic predecessors and to literary tradition more generally." --Joshua Scodel, University of Chicago, "This learned, groundbreaking study illuminates the intricate narrative patterns that are woven into the fabric of Paradise Lost and demonstrates the poem's deeply allusive relationship to prior epic. . . . This book is necessary reading for Miltonists and scholars interested in the epic tradition. And the clear prose and carefully articulated arguments make it fully accessible and helpful to less experienced readers."-- Choice, "For its playful style and learned approach, readers will relish, as I did, the chance to return to originals newly brought to light, to attend to delicious intricacies of text, to quarrel, even, with findings. This is a bravura performance, a deeply learned book that should be read by students and scholars of Renaissance comparative literature, and those interested in classical reception, and will be required reading for Milton scholars and students." --Sharon Achinstein, Renassiance Quarterly, "This learned, carefully pondered, and admirably lucid book combines some of the features of a scholarly monograph with those of a critical overview of Milton's greatest poem." ---David Hopkins, Milton Quarterly, "Quint proves a deeply engaging and illuminating guide to the designs, both large and small, of Milton's epic and his career. . . . Quint has a gift for pithy and apt eloquence. . . . There have been many fine books on Milton's epic and its relation to the long epic tradition, but none finer than Quint's." ---Stephen M. Fallon, Modern Philology
