Reviews
"Reed comes across as someone who would make an enthralling conversationalist. . . . Reed is not only a good interviewee, but also a good interviewer, a skill especially evident when he asks the actor Lou Gossett Jr. about the racial obstacles he has faced during his illustrious career." --Jean Coléno, professor of humanities, Dawson College for Montreal Review of Books, "Reed is a pre-future sage... His fiction, poems, plays, and recordings are a moral looking glass for envisioning what we might be. His nonfiction, however, is at once testimony and indictment of what we are." Jerry Ward, Professor of English and African American World Studies, Dillard University, New Orleans. "Reed comes across as someone who would make an enthralling conversationalist... Reed is not only a good interviewee, but also a good interviewer, a skill especially evident when he asks the actor Lou Gossett Jr. about the racial obstacles he has faced during his illustrious career." Montreal Review of Books, October 2012. "Wonderful... Bravo!" Robert Wilson, Pulitzer Prize winner for CIVIL warS., "Reed is a pre-future sage. . . . His fiction, poems, plays, and recordings are a moral looking glass for envisioning what we might be. His nonfiction, however, is at once testimony and indictment of what we are." --Jerry Ward, professor of English and African-American world studies, Dillard University, "Reed's writing is incisive and astute, impassioned and amusing. He fully researches his topics and makes a decisive stand based on the facts, as he sees it. Whether you agree with him or not, you at least get to explore a different viewpoint." --Gabrielle David, Phati'tude Literary Magazine, "Reed's writing is incisive and astute, impassioned and amusing. He fully researches his topics and makes a decisive stand based on the facts, as he sees it. Whether you agree with him or not, you at least get to explore a different viewpoint." -Gabrielle David, Phati'tude Literary Magazine, "Just when you think that Reed is exaggerating or being one-dimensional in his analysis of racial issues, he'll open another page of American history and show you something new." --David Homel, Rover Arts, "Reed comes across as someone who would make an enthralling conversationalist. . . . Reed is not only a good interviewee, but also a good interviewer, a skill especially evident when he asks the actor Lou Gossett Jr. about the racial obstacles he has faced during his illustrious career." -Jean Coléno, professor of humanities, Dawson College for Montreal Review of Books, "Reed is a pre-future sage. . . . His fiction, poems, plays, and recordings are a moral looking glass for envisioning what we might be. His nonfiction, however, is at once testimony and indictment of what we are." -Jerry Ward, professor of English and African-American world studies, Dillard University, "There is brutal candor in Reed's argument, which often feels refreshing in light of the euphemisms and platitudes typically expressed in both polite discourse and the media's self-scrutiny. . . . Whether or not one agrees with Reed, one can only be entertained by his gleeful barbs and edgy turns-of-phrase. He names names and shames with derision." -Caroline Brown, English professor, Universit de Montral for Montreal Review of Books, "There is brutal candor in Reed's argument, which often feels refreshing in light of the euphemisms and platitudes typically expressed in both polite discourse and the media's self-scrutiny. . . . Whether or not one agrees with Reed, one can only be entertained by his gleeful barbs and edgy turns-of-phrase. He names names and shames with derision." --Caroline Brown, English professor, Université de Montréal for Montreal Review of Books, "In the past 40 years, Reed has published more than 20 books and has also made his mark as an editor, publisher, critic, journalist, songwriter, librettist, and fearsome letter-to-the-editor writer. . . . Reed is among the most American of American writers, if by 'American' we mean a quality defined by its indefinability and its perpetual transformations as new ideas, influences and traditions enter our cultural conversation." - New York Times, "There is brutal candor in Reed's argument, which often feels refreshing in light of the euphemisms and platitudes typically expressed in both polite discourse and the media's self-scrutiny. . . . Whether or not one agrees with Reed, one can only be entertained by his gleeful barbs and edgy turns-of-phrase. He names names and shames with derision." -Caroline Brown, English professor, Université de Montréal for Montreal Review of Books, "In the past 40 years, Reed has published more than 20 books and has also made his mark as an editor, publisher, critic, journalist, songwriter, librettist, and fearsome letter-to-the-editor writer. . . . Reed is among the most American of American writers, if by 'American' we mean a quality defined by its indefinability and its perpetual transformations as new ideas, influences and traditions enter our cultural conversation." -- New York Times, "Reed comes across as someone who would make an enthralling conversationalist. . . . Reed is not only a good interviewee, but also a good interviewer, a skill especially evident when he asks the actor Lou Gossett Jr. about the racial obstacles he has faced during his illustrious career." -Jean Colno, professor of humanities, Dawson College for Montreal Review of Books, "There is brutal candor in Reed's argument, which often feels refreshing in light of the euphemisms and platitudes typically expressed in both polite discourse and the media's self-scrutiny. . . . Whether or not one agrees with Reed, one can only be entertained by his gleeful barbs and edgy turns-of-phrase. He names names and shames with derision." -Caroline Brown, English professor, Université de Montréal for Montreal Review of Books, "Just when you think that Reed is exaggerating or being one-dimensional in his analysis of racial issues, he'll open another page of American history and show you something new." -David Homel, Rover Arts
