Reviews
"That psychoanalysis has much to teach us about tragedy is no secret. What has been long missing from psychoanalytic theory and criticism, however, is a thoroughgoing account of comedy. Such a book has finally appeared, written by one of the strongest minds working at the interfaces of Lacanian theory, philosophy, and literature. Alenka Zupan�i� has written a book that is sure to delight and challenge practitioners working in drama, psychoanalysis, literary theory, and criticism." --Julia Lupton, Department of English, University of California, Irvine, "The publication of Alenka Zupan�i�'s new book gives us reason to be consoled for the discussion of comedy that is missing from Aristotle's Poetics. Zupan�i� has written a book that presents a major new theory of comedy from a philosophical and psychoanalytic perspective: her ideas are both a contribution to the great tradition of comic discourse and a remarkably original intervention, with exceptionally powerful interpretive implications. This is the great theory of comedy that we have been waiting for, one that can make sense of Hegel and the Marx Brothers, Aristophanes and Borat. It is elegantly written, and spangled with extraordinary philosophical thinking and cultural insights." --Kenneth Reinhard, UCLA, "In "The Gay Science," Nietzsche proclaims 'long live physics!' as the motto of his new, post-metaphysical thinking, suggesting that only the careful study of 'everything that is lawful and necessary in the world' allows for genuine creativity in the sphere of human values. It is only with Alenka Zupan�i�'s new philosophical study of comedy, "The Odd One In," that it finally becomes possible to understand Nietzsche's paradoxical claim. For as Zupan�i� compellingly and beautifully argues, the physics at issue here is precisely a comedic physics of the infinite--the true "frohliche Wissenschaft--"a physics, that is, that attends to the strange carnality of human subjects who not so much fail at achieving transcendence as keep tripping over the hole in their own finitude. This shift of emphasis from the 'tragic' to the 'comic flaw' in human existence opens up a world of new possibilities for thinking about politics, religion, ethics, and everyday life." --Eric Santner, author of "On the Psychotheology of Everyday Life", "Arguing that our current 'feel good' society has cheapened the value of comedy, Alenka Zupan�i� brilliantly restores the genre's subversive edge-that edge whose glint we glimpse in Brecht's insistence that 'If it's not funny, it's not true,' and in Lacan's statement, 'Communication makes you laugh.' Full of delightful surprises and profound observation, The Odd One Inis itself odd in the best sense: unique, without peer." -Joan Copjec, author of Imagine There's No Woman
