Reviews
"Dufresne is nothing if not a rigorous archaeologist, the connoisseur of delectable fragments, the shards of folly that give us clues to an entire civilization. As he dusts off each recovered piece and sets it on the shelf, he constructs not so much an argument as a gallery: an exhibition of curiosities."—Mark Shechner, The Boston Book Review, "Here is a brilliant, wide-ranging, exuberant book by a young scholar who knows the literature surrounding psychoanalysis as thoroughly, and as cannily, as anyone alive. Nowhere has the deep strangeness of Freud's mind and tradition been more tellingly explored. It is a marvelous contribution not only to Freud studies but to modern intellectual history as well."-Frederick Crews, University of California, Berkeley, "Dufresne's original, provocative, and scholarly work is a major intervention in current debates about the import and significance of psychoanalysis. It is a much needed blood transfusion that will cause a stir."—Rodolphe Gasché, State University of New York at Buffalo, "Dufresne's original, provocative, and scholarly work is a major intervention in current debates about the import and significance of psychoanalysis. It is a much needed blood transfusion that will cause a stir."-Rodolphe Gasché, State University of New Y, "Dufresne's original, provocative, and scholarly work is a major intervention in current debates about the import and significance of psychoanalysis. It is a much needed blood transfusion that will cause a stir."-Rodolphe Gasché, State University of New York at Buffalo, "Five stars. A seminal,groundbreaking body of work . . . Tales is a highly recommended contribution to Freudian studies and would admirably serve as a model approach to evaluating and expanding other Freudian concepts throughout the coming decades."— Midwest Book Review, "Dufresne is nothing if not a rigorous archaeologist, the connoisseur of delectable fragments, the shards of folly that give us clues to an entire civilization. As he dusts off each recovered piece and sets it on the shelf, he constructs not so much an argument as a gallery: an exhibition of curiosities."-Mark Shechner, The Boston Book Review, "Five stars. A seminal,groundbreaking body of work. [...] Tales is a highly recommended contribution to Freudian studies and would admirably serve as a model approach to evaluating and expanding other Freudian concepts throughout the coming decades." -- Midwest Book Review, "Dufresne's original, provocative, and scholarly work is a major intervention in current debates about the import and significance of psychoanalysis. It is a much needed blood transfusion that will cause a stir."--Rodolphe Gasché, State University of New York at Buffalo, "Here is a brilliant, wide-ranging, exuberant book by a young scholar who knows the literature surrounding psychoanalysis as thoroughly, and as cannily, as anyone alive. Nowhere has the deep strangeness of Freud's mind and tradition been more tellingly explored. It is a marvelous contribution not only to Freud studies but to modern intellectual history as well."--Frederick Crews, University of California, Berkeley, "Dufresne is nothing if not a rigorous archaeologist, the connoisseur of delectable fragments, the shards of folly that give us clues to an entire civilization. As he dusts off each recovered piece and sets it on the shelf, he constructs not so much an argument as a gallery: an exhibition of curiosities."--Mark Shechner, The Boston Book Review, "Dufresne is nothing if not a rigorous archaeologist, the connoisseur of delectable fragments, the shards of folly that give us clues to an entire civilization. As he dusts off each recovered piece and sets it on the shelf, he constructs not so much an argument as a gallery: an exhibition of curiosities." --Mark Shechner, The Boston Book Review, "An excellent text. Psychoanalysis in Dufresne's hands reads like a comic book concerned with horror, a thanatographical delight written not so much for adolescent boys but for philosophers . . . The proverbial stake in the heart that finally kills the undead monster is delivered by Dufresne with a gusto and verve not normally found in academic books on psychoanalysis. Dufresne is the vampire slayer of the Freud-bashers."-Gary Genosko, The Semiotic Review of Books, Five stars. A seminal,groundbreaking body of work . . . Tales is a highly recommended contribution to Freudian studies and would admirably serve as a model approach to evaluating and expanding other Freudian concepts throughout the coming decades.|9780804738859|, "An excellent text. Psychoanalysis in Dufresne's hands reads like a comic book concerned with horror, a thanatographical delight written not so much for adolescent boys but for philosophers. [...] The proverbial stake in the heart that finally kills the undead monster is delivered by Dufresne with a gusto and verve not normally found in academic books on psychoanalysis. Dufresne is the vampire slayer of the Freud-bashers." -Gary Genosko, The Semiotic Review of Books, "Dufresne is nothing if not a rigorous archaeologist, the connoisseur of delectable fragments, the shards of folly that give us clues to an entire civilization. As he dusts off each recovered piece and sets it on the shelf, he constructs not so much an argument as a gallery: an exhibition of curiosities." -Mark Shechner, The Boston Book Review, "Dufresne surveys this huge and untidy literature, but he knows better than to simply critique it. Rather than adding one more critical life-support system to the ever-proliferating body of psychoanalysis, he advocates its right to die: leave it alone, let it choke to death on its own waste, like the infusorians described by Freud in Beyond the Pleasure Principle . Dufresne reads Freud like no other, understanding full well that psychoanalysis is fundamentally immune to criticism, because it was never concerned with reality."--Mikkel Borch-Jacobsen, University of Washington, "Dufresne's original, provocative, and scholarly work is a major intervention in current debates about the import and significance of psychoanalysis. It is a much needed blood transfusion that will cause a stir."--Rodolphe Gasché, State University of New York at Buffalo "Dufresne surveys this huge and untidy literature, but he knows better than to simply critique it. Rather than adding one more critical life-support system to the ever-proliferating body of psychoanalysis, he advocates its right to die: leave it alone, let it choke to death on its own waste, like the infusorians described by Freud in Beyond the Pleasure Principle . Dufresne reads Freud like no other, understanding full well that psychoanalysis is fundamentally immune to criticism, because it was never concerned with reality."--Mikkel Borch-Jacobsen, University of Washington, "An excellent text. Psychoanalysis in Dufresne's hands reads like a comic book concerned with horror, a thanatographical delight written not so much for adolescent boys but for philosophers . . . The proverbial stake in the heart that finally kills the undead monster is delivered by Dufresne with a gusto and verve not normally found in academic books on psychoanalysis. Dufresne is the vampire slayer of the Freud-bashers."—Gary Genosko, The Semiotic Review of Books, "An excellent text. Psychoanalysis in Dufresne's hands reads like a comic book concerned with horror, a thanatographical delight written not so much for adolescent boys but for philosophers. [...] The proverbial stake in the heart that finally kills the undead monster is delivered by Dufresne with a gusto and verve not normally found in academic books on psychoanalysis. Dufresne is the vampire slayer of the Freud-bashers." --Gary Genosko, TheSemiotic Review of Books, "Dufresne's original, provocative, and scholarly work is a major intervention in current debates about the import and significance of psychoanalysis. It is a much needed blood transfusion that will cause a stir." --Rodolphe Gasche, State University of New York at Buffalo, "Here is a brilliant, wide-ranging, exuberant book by a young scholar who knows the literature surrounding psychoanalysis as thoroughly, and as cannily, as anyone alive. Nowhere has the deep strangeness of Freud's mind and tradition been more tellingly explored. It is a marvelous contribution not only to Freud studies but to modern intellectual history as well."—Frederick Crews, University of California, Berkeley, "Five stars. A seminal,groundbreaking body of work . . . Tales is a highly recommended contribution to Freudian studies and would admirably serve as a model approach to evaluating and expanding other Freudian concepts throughout the coming decades."-- Midwest Book Review, "An excellent text. Psychoanalysis in Dufresne's hands reads like a comic book concerned with horror, a thanatographical delight written not so much for adolescent boys but for philosophers. [...] The proverbial stake in the heart that finally kills the undead monster is delivered by Dufresne with a gusto and verve not normally found in academic books on psychoanalysis. Dufresne is the vampire slayer of the Freud-bashers." --Gary Genosko, The Semiotic Review of Books, "An excellent text. Psychoanalysis in Dufresne's hands reads like a comic book concerned with horror, a thanatographical delight written not so much for adolescent boys but for philosophers . . . The proverbial stake in the heart that finally kills the undead monster is delivered by Dufresne with a gusto and verve not normally found in academic books on psychoanalysis. Dufresne is the vampire slayer of the Freud-bashers."--Gary Genosko, The Semiotic Review of Books, "Five stars. A seminal,groundbreaking body of work . . . Tales is a highly recommended contribution to Freudian studies and would admirably serve as a model approach to evaluating and expanding other Freudian concepts throughout the coming decades."- Midwest Book Review, "Five stars. A seminal,groundbreaking body of work. [...]Talesis a highly recommended contribution to Freudian studies and would admirably serve as a model approach to evaluating and expanding other Freudian concepts throughout the coming decades." --Midwest Book Review, "Dufresne is nothing if not a rigorous archaeologist, the connoisseur of delectable fragments, the shards of folly that give us clues to an entire civilization. As he dusts off each recovered piece and sets it on the shelf, he constructs not so much an argument as a gallery: an exhibition of curiosities." --Mark Shechner, TheBoston Book Review