Tomb Raider #9 Michael Turner Signed W/Dan Jurgens 2000 Unread NM/NM+ Lara Croft

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Tomb Raider #9 Michael Turner Signed W/Dan Jurgens 2000 Unread NM/NM+ Lara Croft:
$399.99

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TOMB RAIDER #9

THE LATE GREAT

MICHAEL TURNER

SIGNED ON COVER

WITH DAN JURGENS

(TWO SIGNATURES)

2000

RARE SIGNED BOOK

PERFECT CONDITION

COULD BE A 9.8 AS IT IS

WE ARE LISTING MICHAEL TURNER'S

MOST FAMOUS COVERS AND ALL ARE SIGNED!!!

SEE OUR OTHER LISTINGS FOR MORE!!!

TITLE: Tomb Raider (Lara Croft)

ISSUE: #9

FEATURED: Tomb Raider

ARTIST:Michael Turner

YEAR: 2000

PUBLISHED BY:DC Comics

CONDITION: Approximately NM/NM+ 9.4/9.6

COA:Yes

UNREAD and near perfect condition! Michael Turner and Dan Jurgens signed a few issues for us in 2005. Comes with COA. Position of the signature may vary because we have a couple of these for sale.Any photo glare or shadow is due to the high gloss reflection & camera flash. See Photos, Grading Chart below.

SECURE PROTECTED SHIPPING: In a Polypropylene sleeve with backing board between multiple layers of cardboard in a bubble envelope.

COMBINED SHIPPING: We combine shipping on multiple sales to help you save on postage. Please contact us for shipping costs.

MICHAEL TURNER BIO

Michael Layne Turner(April 21, 1971 ? June 27, 2008)was anAmericancomics artistknown for his work and various covers forDC ComicsandMarvel Comics. He was also the president of the entertainment companyAspen MLT.

Michael Turner was born inCrossville, Tennesseeon April 21, 1971. He was a student at theUniversity of Tennessee, and graduated from the International Performing Arts Academy after which he moved toSan Diego, California, where he developed an interest in comics.

Turner was discovered byMarc Silvestriat a convention and hired by Silvestri'sTop Cow Productionsas an artist. He initially did background illustrations for Top Cow titles before co-creatingWitchblade. In the summer of 1998 he debuted thecreator-ownedFathom, having also worked on his new seriesSoulfire.

Turner departed Top Cow in late 2002 to found his own comic book publishing company,Aspen MLT Inc.(where MLT stands for Michael Layne Turner), located in Santa Monica, with a studio inMarina del Rey, California. The release of comics from Aspen was delayed by a year-long lawsuit with Top Cow Productions over the rights to Fathom and over the rights to the unreleased titlesSoulfire(initially called Dragonfly) andEkos, both of which Turner had begun developing before leaving Top Cow. Aspen and Top Cow settled the lawsuit out of court in 2003.

In 2004 Turner contributed covers to variousDC Comicstitles, includingThe FlashandIdentity Crisis. He provided cover art and co-wrote the "Godfall" story arc that ran in the three main Superman titles in early 2004 and illustrated the six-issue Supergirl story arc inSuperman/Batman. His creator-owned titleSoulfirebegan publication in 2004 andFathomresumed publication in that year as well, though this time with Aspen MLT rather than Top Cow.

On August 6, 2005,Marvel Comicsannounced the signing of Michael Turner to a work-for-hire deal for a six-issue project and covers. This would turn out to be at least the variant covers for the miniseriesCivil Warand the Wolverine ongoing seriesWolverine: Origins. In addition Turner had been announced as the artist onUltimate Wolverine.

Turner createdonline comic adaptationsfor theNBCtelevision seriesHeroes.

DAN JURGENS BIO

Dan Jurgens ( born June 27, 1959) is an Americancomic bookwriter and artist. He is known for his work on theDCcomic book storyline "The Death of Superman" and for creating characters such asDoomsday,Hank Henshaw, andBooster Gold. Jurgens had a lengthy run on the Superman comic books includingThe Adventures of Superman,Superman vol. 2andAction Comics. AtMarvel, Jurgens worked on series such asCaptain America,The Sensational Spider-Manand was the writer onThorfor six years. He also had a brief run as writer and artist onSolarforValiant Comicsin 1995.

COMIC BOOK GRADING STANDARDS - CPG/CGC

GM -Gem Mint [M+: 10]The best possible existing condition of a comic book. They are very rare, especially in older comic books pre-1990. Books in this condition pre-1980 are virtually non-existent.

M - Mint [M: 9.9, M-: 9.8]An extremely exceptional comic book with only minute printing or bindery defects. The book's cover is flat and without surface wear. Cover inks are exceptionally bright with high gloss. The book's corners are perfectly square and sharp. Staples are clean and shiny. Interior pages must be white in color and supple to the touch.

NM+ - Near Mint+ [NM+: 9.6]This grade is close to mint with some minor defect. You can tell that this comic has been stored properly and looks as new as the day it was printed. There may be a slight stress line by the staples but the staples themselves are generally centered clean with no rust.Some of the color may have chipped or flaked off the cover. The cover is flat with no surface wear and the inks are bright with high reflectivity and very little fading. Corners will be cut square and sharp with ever so slight blunting permitted. All stress marks should be almost invisible and bindery tears must be less than 1/16 inch. Only the most subtle binding and/or printing defects are allowed. The cover will be fairly well centered and firmly secured to the interior pages. Paper is supple and like new. Spine is tight and flat. Unobtrusive date stamps or arrival dates in pencil or ink are acceptable. Many pedigree collection comics have a notation on the cover or the interior of the comic and are considered a bonus to collectors as they help prove the provenance of the comic.

NM - Near Mint [NM: 9.4, NM-: 9.2]This is a nearly perfect comic book with great eye appeal and no apparent obvious defects. It is vibrant and clean with supple pages. Cover has high gloss, is relatively flat, with almost no surface wear. Cover inks are generally bright with medium to high reflectivity. Spine is almost completely flat and tight. The staples may show some discoloration. Older comics may have some discoloration due to aging. Inside pages and covers will usually be off-white to white but can be creamy or slightly yellowish. Permissible defects could include very small stress lines (up to 1/4 inch) near staples, minute corner creases, small binding or printing defects.

VF/NM - Very Fine/Near Mint [VF/NM: 9.0]Slightly better than the Very Fine conditions below but in lesser condition than the grade above.

VF - Very Fine [VF+: 8.5, VF: 8.0, VF-: 7.5]A very fine comic book is a really nice book that appears to have been read a few times but handled with care. Additional minor defects are allowed. Visually there is most of the original cover gloss with minimal surface wear and a near flat cover. There may be small corner creasing, small fold on cover, very minor corner, edge, or spine wear, slight wrinkles at the staples and slight staple discoloration, light cover creases, minor stress marks on spine, a few small chips on the cover (Characteristic Marvel chipping is a good example). interior paper may be off-white. Overall, an exceptional and very collectible comic book.

FN/VF - Fine/Very Fine [FN/VF: 7.0]Slightly better than the Fine conditions below but in lesser condition than the grade above.

FN - Fine [FN+: 6.5, FN: 6.0, FN-: 5.5]Fine comics are well read, very desirable issues. They may have one major defect such as a larger piece out of the cover (1/4 inch to 1/8 inch) or a one inch plus tear. They have stress lines around the staples and creases from opening and closing of the cover. Interior pages may be off-white to yellowish in color. There could be a reading or subscription crease or a rolled spine, but is not damaged enough to reduce eye appeal dramatically. Some discoloration, fading in colors, and even minor soiling is allowed. The cover and/or insides could have minor tears and/or folds. The cover can be loose from one staple but cover cannot be detached from the interior. Pages and inside covers could be brown but not brittle. There is generally an accumulation of minor defects such as corner dings, minor creases, light spine wear, stress lines around the staples, and rounded corners. Sometimes a comic book that appears to be a higher grade has a major defect that will bring it down to a fine grade.

VG/FN -Very Good/Fine [VG/FN: 5.0]Slightly better than the Very Good conditions below but in lesser condition than the grade above.

VG - Very Good [VG+: 4.5, VG: 4.0, VG-: 3.5]This is a very well read comic but is complete. It may have a major defect such as a large piece out of its cover (1/2 to 1/4 inch), or a one inch plus tear. There is generally low cover gloss or almost none at all. The inside paper quality is not great, yellowing, with small pieces missing. Pages and inside covers could be brown but NOT brittle, with minor tape repairs. One or both staples may be loose but the cover cannot be completely detached. Comic books in these grades have minor tears, corner creases, minor markings, discoloration, and heavy stress lines around the staples and spine or even a rolled spine. They are almost always creased, scuffed, abraded, and soiled. Pages and inside covers could be brown but NOT brittle, with minor tape repairs. Tape on the comic is considered a defect in this grade.

GD/VG -Good/Very Good [GD/VG: 3.0]Slightly better than the Good conditions below but in lesser condition than the grade above.

GD -Good [G+: 2.5, G: 2.0, G-: 1.8]Good is really misnomer. Good is a readable, complete issue with the cover having numerous defects. All of the defects present in a VG comic book plus more such as major creases, rolled spine or a missing a 1/2 inch piece, rusty staples, scuffs, abrasions, and soiling. A good book is complete with no missing pages and is still in a "Collectible" grade.

FR - Fair [F: 1.0]A fair condition comic is heavily worn and tattered. All pages will be present and most of the covers. Large pieces may be missing from either front or back cover. There will of course be heavy creases and folds. The spine and/or cover may be completely split. Staples may be missing. Corners are rounded. Coupons may be cut from cover and/or inside pages. Panels inside may also be clipped out. Paper quality can be very low being dark tan with brittleness being a factor. The centerfold may be loose or missing and the soiling, staining, tears, markings, or chunks missing will interfere with reading. Moderate to extensive amounts of tape is acceptable on a comic in this grade.

P -Poor [P: 0.5]A poor condition comic book has major defects to the point that there is little to no collector value. Issues in this grade typically will have pages and/or around 1/3 or more of the front cover missing (due to distributor returns). there may be severe stains, mildew or heavy cover abrasion to the point where cover inks are gone. Other defacements include paints, varnishes, glues, oil, dyes, indelible markers, pens, or crayons. Also prevalent are large tears, taped pieces or whole pages missing. The inside pages can have extreme brittleness.

No Grade (Coverless/Covers/Pages or Single Wrap)

This designation is only used for the purpose of authentication. Numerous collectors and comic fans will purchase coverless comics to either read or to obtain a filler copy of a book for their collection. Coverless books will typically sell for a percentage of the good condition value. Rare and key comic books that are coverless in many cases may sell for a percentage of guide value depending on the specific comic title and issue number. Typically lower then the .5 value, but can fluctuate based on market value.

Comic Books can be coverless or be an incomplete partial comic (i.e. wraps). Issues in this designation typically will in most cases be beyond collectibility to the majority of the hobby. Rare key comics and incomplete pages i.e. centerfolds are considered to be valuable for either restoration purposes or for individuals who just wish to own a piece of comic history.

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