1949 ROYAL DOULTON SIR JOHN FALSTAFF HAND MADE TOBY FACE MUG WINE BIBBER GLUTTON

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1949 ROYAL DOULTON SIR JOHN FALSTAFF HAND MADE TOBY FACE MUG WINE BIBBER GLUTTON:
$29.49

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1949 ROYAL DOULTON SIR JOHN FALSTAFF HAND MADE TOBY FACE MUG WINE BIBBER GLUTTON

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1949 ROYAL DOULTON

HAND MADE

PORCELAIN

TOBY MUG

CHARACTER CUP

\"FALSTAFF\"

D.6385

ABOUT 9cm X 11cm

NO CHIPS OR CRACKS

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FYI

The Royal Doulton Company was an English company producing tableware and collectables, dating from 1815. Operating originally in London, its reputation grew in The Potteries, where it was a latecomer compared to Royal Crown Derby, Royal Worcester, Wedgwood, Spode and Mintons. Its products include dinnerware, giftware, cookware, porcelain, glassware, collectables, jewellery, linens, curtains and lighting.

Three of its brands were Royal Doulton, Royal Albert and Mintons. These brands are now owned by WWRD Holdings Ltd (Waterford Crystal, Wedgwood, Royal Doulton), based in Barlaston near Stoke-on-Trent.

History
Vase, 1874, Doulton Ceramic Factory V&A Museum no. 352-1874. decorated by Hannah Barlow
The Royal Doulton Company began as a partnership between John Doulton, Martha Jones, and John Watts, with a factory at Vauxhall Walk, Lambeth, London. The business specialised in making stoneware articles, including decorative bottles and salt glaze sewer pipes. The company took the name Doulton in 1853.

By 1871, Henry Doulton, John\'s son, launched a studio at the Lambeth pottery, and offered work to designers and artists from the nearby Lambeth School of Art. The first to be engaged was George Tinworth followed by artists such as the Barlow family (Florence, Hannah, and Arthur), Frank Butler, Mark Marshall and Eliza Simmance. In 1882, Doulton purchased the small factory of Pinder, Bourne & Co, at Nile Street in Burslem, Staffordshire, which placed Doulton in the region known as The Potteries.

When the Anglican St. Alban\'s Church was built in Copenhagen, Denmark, in 1887 with Alexandra, Princess of Wales as one of the driving forces, Doulton donated and manufactured an altarpiece, a pulpit and a font. They were executed in terra cotta with glazed details to the design of Tinworth.

By this time Doulton was popular for stoneware and ceramics, under the artistic direction of John Slater, who worked with figurines, vases, character jugs, and decorative pieces designed by the prolific Leslie Harradine. Doulton products came to the attention of the Royal family. In 1901 King Edward VII sold the Burslem factory the Royal Warrant, allowing the business to adopt new markings and a new name, Royal Doulton. The company added products during the first half of the 20th century while manufacturing fashionable and high-quality bone china.

The headquarters building and factory of the Royal Doulton ceramics firm were in Lambeth, on the south bank of the Thames. This Art Deco building was designed by T.P.Bennett. In 1939 Gilbert Bayes created the friezes that showed the history of pottery through the ages. The Lambeth factory closed in 1956 due to clean air regulations preventing urban production of salt glaze. Following closure, work was transferred to The Potteries. The factory building was demolished in 1978 and the friezes transferred to the Victoria & Albert Museum. The office building in Black Prince Road survives, complete with a frieze of potters and Sir Henry Doulton over the original main entrance, executed by Tinworth.

Though primarily a comic figure, Falstaff still embodies a kind of depth common to Shakespeare\'s major characters. A fat, vain, boastful, and cowardly knight, he spends most of his time drinking at the Boar\'s Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king.

In Act II, Scene III of Henry V, his death is described by Mistress Quickly in terms that parody Plato\'s description of the death of Socrates.

Falstaff has since appeared in other media, notably in operas by Giuseppe Verdi, Ralph Vaughan Williams and Otto Nicolai. The operas focus on his role in The Merry Wives of Windsor.

Origins
Eduard von Grützner: Falstaff mit großer Weinkanne und Becher (1896) (Falstaff with big wine jar and cup, 1896)

John Oldcastle
It is generally believed that Shakespeare originally named Falstaff \"John Oldcastle\", and that Lord Cobham, a descendant of the historical John Oldcastle, complained, forcing Shakespeare to change the name. There is both textual and external evidence for this belief. Shakespeare\'s Henry IV plays and Henry V adapted and developed the material in an earlier play called The Famous Victories of Henry V, in which Sir John \"Jockey\" Oldcastle appears as a dissolute companion of the young Henry. In the published version of Henry IV, Part 1, Falstaff\'s name is always unmetrical, suggesting a name change after the original composition; Prince Hal refers to Falstaff as \"my old lad of the castle\" in the first act of the play; the epilogue to Henry IV, Part 2, moreover, explicitly disavows any connection between Falstaff and Oldcastle, a dancer declaring: \"...where, for anything I know, Falstaff shall die of a sweat, unless already \'a be killed with your hard opinions; for Oldcastle died a martyr and this is not the man\".

The historical Oldcastle was unlike Falstaff; in particular, he was a Lollard who was executed for his beliefs, and he was respected by many Protestants as a martyr. In addition to the anonymous The Famous Victories of Henry V, in which Oldcastle is Henry V\'s companion, Oldcastle\'s history is described in Raphael Holinshed\'s Chronicles, Shakespeare\'s usual source for his histories.

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